Antedoom (Express Animation), 2018, Pigmented ink print, mounted on acrylic glass, 100 x 70 cm.

Antedoom (Godfrey Hounsfield), 2018, Pigmented ink print, mounted on acrylic glass, 100 x 70 cm.

Installation view from LISTE Art Fair 2018

100 Rotten Tricks (#01), 2018, Pigmented ink print, mounted on acrylic glass, 110 x 62 cm.

100 Rotten Tricks (#04), 2018, Pigmented ink print, mounted on acrylic glass, 110 x 62 cm.

Antedoom installation view from Sharjah Biennial 13, 2017

Setareh Shahbazi, ANTEDOOM, 2017/18 Multimedia installation

Painting Lady, Scratch and Boy, Binary Is A False Idol, 2016, pigmented ink print on rice paper, 120 x 90 cm

Soft Corner I, Binary Is A False Idol, 2016, pigmented ink print on rice paper, 32 x 25 cm

Soft Corner II, Binary Is A False Idol, 2016, pigmented ink print on rice paper, 63 x 49 cm

Installation view from Binary is a False Idol in Gypsum, 2016

Cassata Siciliana II, Binary Is A False Idol, 2015, C-Print, 80 x 60 cm

Cassata Siciliana III, Binary Is A False Idol, 2015, C-Print, 80 x 60 cm

Installation view from Binary is a False Idol in Gypsum, 2016

Cassata Siciliana IV, Binary Is A False Idol, 2015, C-Print, 120 x 90 cm

Cassata Siciliana VI, Binary Is A False Idol, 2015, C-Print, 80 x 60 cm

Cassata Siciliana VII, Binary Is A False Idol, C-Print, 2016, 100 x 75 cm

Blue Corner, Yellow Shoes, Binary Is A False Idol, 2016, C-Print, 104 x 79 cm

High Noon, Binary Is A False Idol, 2016, C-print, 104 x 79 cm

Blue Corner, Yellow Shoes, (from the series “Binary Is A False Idol”), 2016, pigmented ink print, 40 x 30 cm

Moving Forward With No Return, Binary Is A False Idol, 2016, C-Print, 104 x 89,3 cm

Abstract Blue, Binary Is A False Idol, 2015, pigmented ink print, 60 x 46,6 cm

Cloud N° 1, Binary Is A False Idol, 2015 pigmented ink print, framed dimensions 60 x 46,6 cm

Something Always Falls (Traffic), 2015, pigmented ink print on rice paper, 83 x 63 cm

Left: Tweety, Right: Starry Sky, 2015, pigmented ink print on rice paper, 83 x 63 cm

Right: Sinai Flip, Left: Bent El Chark, 2015, pigmented ink print on rice paper, 83 x 63 cm

Left: Something Always Falls (balloons), Right: Camera, pigmented ink print on rice paper, 83 x 63 cm

Installation view from The Truth About Fiction, 2018, from the series “Something Always Falls”

Installation view from Nottingham Contemporary 2017, from the exhibition Ear to Ear to Eye.

Spectral Days, C-print, 85 x 60 cm, 2013.

Spectral Days, archival ink print, 28 x 20 cm, 2013.

Spectral Days, C-print, 63 x 45 cm, 2013.

Spectral Days, C-print, 85 x 60 cm, 2013.

Spectral Days, archival ink print, 28 x 20 cm, 2013.

Spectral Days, C-print, 63 x 45 cm, 2013.

Installation view from the exhibition Spectral Days in Gypsum, 2013

Installation view from the exhibition Comfort Zone (Home) 2019, at VCU Gallery, Doha

Spectral Days, C-print, dimensions variable, 2012.

Spectral Days, C-print, 85 x 60 cm, 2013.

Cats, archival ink print, 65 x 45 cm, 2011.

Flowers, archival ink print, 60 x 45 cm, 2011.

Distort the end and turn it into candy, C-print, framed, 85 x 60 cm, 2012.

Installation shot from Kadist, Paris, 2012

Oh, no, no... - The Crystal series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.

Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.

Oh, no, no... - The Crystal Series, Inkjet print on aluminium, 40 x 60 cm and 70 x 100 cm, 2004.

Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.

Oh, no, no... - The Crystal Series, Inkjet print on aluminium, 40 x 60 cm and 70 x 100 cm, 2004.

Oh, no, no... - The Crystal Series, Inkjet print on aluminium, 56,7 cm x 84 cm, 2004.