Eternity, 2018, Acrylic, vinyl, and text. Dimensions variable. Commissioned by University Galleries of Illinois State University, Normal, Illinois, USA.

Eternity, 2018, Acrylic, vinyl, and text. Dimensions variable. Commissioned by University Galleries of Illinois State University, Normal, Illinois, USA.

 Our Prehistoric Fate, 2011, two duraclear prints, powder-coated aluminum structure, light box displays and clamps. Prints are each 151 x 177 cm. Installation view MAAT - Museum of Art, Architecture and Technology, Lisbon

Our Prehistoric Fate, 2011, two duraclear prints, powder-coated aluminum structure, light box displays and clamps. Prints are each 151 x 177 cm. Installation view MAAT - Museum of Art, Architecture and Technology, Lisbon


 Someone Tried to Lock Up Time (Generation S), 2018 – Ongoing, 4 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm / 45 x 45 cm, each. Overall dimensions 94 x 116 cm.

Someone Tried to Lock Up Time (Generation S), 2018 – Ongoing, 4 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm / 45 x 45 cm, each. Overall dimensions 94 x 116 cm.

 Someone Tried to Lock Up Time (The Ruler Won't Live Forever), 2018 – Ongoing, 3 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm each. Overall dimensions 47 x 213 cm.

Someone Tried to Lock Up Time (The Ruler Won't Live Forever), 2018 – Ongoing, 3 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm each. Overall dimensions 47 x 213 cm.

 Someone Tried to Lock Up Time (Clouds are Dreams), 2018 – Ongoing, 5 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm / 45 x 45 cm, each. Overall dimensions 141 x 116 cm.

Someone Tried to Lock Up Time (Clouds are Dreams), 2018 – Ongoing, 5 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm / 45 x 45 cm, each. Overall dimensions 141 x 116 cm.

 Someone Tried to Lock Up Time (The Secret Language We Speak), 2018 – Ongoing, 3 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm / 45 x 45 cm, each. Overall dimensions 47 x 185 cm.

Someone Tried to Lock Up Time (The Secret Language We Speak), 2018 – Ongoing, 3 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm / 45 x 45 cm, each. Overall dimensions 47 x 185 cm.

 Someone Tried to Lock Up Time (Everyone Had a Drone), 2018 – Ongoing, 2 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm / 25.5 x 38 cm, each. Overall dimensions 75 x 69 cm.

Someone Tried to Lock Up Time (Everyone Had a Drone), 2018 – Ongoing, 2 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm / 25.5 x 38 cm, each. Overall dimensions 75 x 69 cm.

 Someone Tried to Lock Up Time (Double Earth), 2018 – Ongoing, 2 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm, each. Overall dimensions 47 x 138 cm.

Someone Tried to Lock Up Time (Double Earth), 2018 – Ongoing, 2 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm, each. Overall dimensions 47 x 138 cm.

 Someone Tried to Lock Up Time (Cassini), 2018 – Ongoing, 3 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm each, 25.5 x 38 cm. Overall dimensions 121 x 69 cm.

Someone Tried to Lock Up Time (Cassini), 2018 – Ongoing, 3 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm each, 25.5 x 38 cm. Overall dimensions 121 x 69 cm.

 Someone Tried to Lock Up Time (Fish Tongue), 2018 – Ongoing, 2 C-Prints from chemically-altered slides on Fujiflex Metallic material, 67 x 45 cm / 25.5 x 38 cm, each. Overall dimensions 69 x 87 cm.

Someone Tried to Lock Up Time (Fish Tongue), 2018 – Ongoing, 2 C-Prints from chemically-altered slides on Fujiflex Metallic material, 67 x 45 cm / 25.5 x 38 cm, each. Overall dimensions 69 x 87 cm.

 Clowns, 2014, Text, acrylic and fluorescent paint, dimensions and colors variable. Installation shot at Castello di Rivoli.

Clowns, 2014, Text, acrylic and fluorescent paint, dimensions and colors variable. Installation shot at Castello di Rivoli.

 We are Here Tonight to Celebrate Our Unknown Ancestors, 2009, spray paint, gouache and collage on paper. 35 x 50 cm.

We are Here Tonight to Celebrate Our Unknown Ancestors, 2009, spray paint, gouache and collage on paper. 35 x 50 cm.


 The Everyday Ritual of Solitude Hatching Monkeys, 2014, Super 16mm film transferred to Full HD, 13 minutes, 22 seconds. (commissioned by Art in General, New York in collaboration with HOME, Manchester, UK).  WATCH HERE

The Everyday Ritual of Solitude Hatching Monkeys, 2014, Super 16mm film transferred to Full HD, 13 minutes, 22 seconds. (commissioned by Art in General, New York in collaboration with HOME, Manchester, UK). WATCH HERE

 No Shooting Stars, 2016, Super 16mm and GIF animations transferred to Full HD, 14 min. 25 sec. (co-commissioned by Jeu de Paume, Paris, Fondation Nationale des Arts Graphiques et Plastiques and CAPC musée d’art contemporain de Bordeaux).   WATCH HERE

No Shooting Stars, 2016, Super 16mm and GIF animations transferred to Full HD, 14 min. 25 sec. (co-commissioned by Jeu de Paume, Paris, Fondation Nationale des Arts Graphiques et Plastiques and CAPC musée d’art contemporain de Bordeaux). WATCH HERE

 We're All Victims of Our Own Adopted Fantasies Here (Reprise), 2017, 5 C-prints from chemically altered negatives printed on metallic fujiflex paper. Overall dimensions 150 x 147 cm.

We're All Victims of Our Own Adopted Fantasies Here (Reprise), 2017, 5 C-prints from chemically altered negatives printed on metallic fujiflex paper. Overall dimensions 150 x 147 cm.

 A World Within a World Within a World Within a Green Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

A World Within a World Within a World Within a Green Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

 Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014

Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014

 A World Within a World Within a World Within an Orange Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

A World Within a World Within a World Within an Orange Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

 A Portrait of a Landscape of Short-lived Waves with their Dead Magician Cousin, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

A Portrait of a Landscape of Short-lived Waves with their Dead Magician Cousin, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

 Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 2), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 2), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

 Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 1), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 1), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

 The Cautious Passing of Light Through Endless Layers of Forgiveness, 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

The Cautious Passing of Light Through Endless Layers of Forgiveness, 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.

 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

 Installation shot. Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.  WATCH HERE

Installation shot. Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec. WATCH HERE

 Installation shot. Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.  WATCH HERE

Installation shot. Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec. WATCH HERE

 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

 On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.  WATCH HERE

On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec. WATCH HERE

 My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.  WATCH HERE

My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec. WATCH HERE

 First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

 First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

 Crippled Rockets, 2005, Watercolors and spray paint on paper. 22.5 x 30cm

Crippled Rockets, 2005, Watercolors and spray paint on paper. 22.5 x 30cm

 Duck Hunting, 2004, Acrylic and coloring pencil on paper, 24 x 36 cm

Duck Hunting, 2004, Acrylic and coloring pencil on paper, 24 x 36 cm

 No One Will Ever Know, 2006, Spray paint and gouache on paper, 28 x 37 cm

No One Will Ever Know, 2006, Spray paint and gouache on paper, 28 x 37 cm

 The Endless Forever, 2005, Spray paint and watercolors on paper, 32 x 24 cm

The Endless Forever, 2005, Spray paint and watercolors on paper, 32 x 24 cm

 Untitled, 2006, Spray paint, burnt photocopies and collage on paper, 24 x 34 cm

Untitled, 2006, Spray paint, burnt photocopies and collage on paper, 24 x 34 cm

 Eternity, 2018, Acrylic, vinyl, and text. Dimensions variable. Commissioned by University Galleries of Illinois State University, Normal, Illinois, USA.
 Our Prehistoric Fate, 2011, two duraclear prints, powder-coated aluminum structure, light box displays and clamps. Prints are each 151 x 177 cm. Installation view MAAT - Museum of Art, Architecture and Technology, Lisbon
 Someone Tried to Lock Up Time (Generation S), 2018 – Ongoing, 4 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm / 45 x 45 cm, each. Overall dimensions 94 x 116 cm.
 Someone Tried to Lock Up Time (The Ruler Won't Live Forever), 2018 – Ongoing, 3 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm each. Overall dimensions 47 x 213 cm.
 Someone Tried to Lock Up Time (Clouds are Dreams), 2018 – Ongoing, 5 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm / 45 x 45 cm, each. Overall dimensions 141 x 116 cm.
 Someone Tried to Lock Up Time (The Secret Language We Speak), 2018 – Ongoing, 3 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm / 45 x 45 cm, each. Overall dimensions 47 x 185 cm.
 Someone Tried to Lock Up Time (Everyone Had a Drone), 2018 – Ongoing, 2 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm / 25.5 x 38 cm, each. Overall dimensions 75 x 69 cm.
 Someone Tried to Lock Up Time (Double Earth), 2018 – Ongoing, 2 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm, each. Overall dimensions 47 x 138 cm.
 Someone Tried to Lock Up Time (Cassini), 2018 – Ongoing, 3 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm each, 25.5 x 38 cm. Overall dimensions 121 x 69 cm.
 Someone Tried to Lock Up Time (Fish Tongue), 2018 – Ongoing, 2 C-Prints from chemically-altered slides on Fujiflex Metallic material, 67 x 45 cm / 25.5 x 38 cm, each. Overall dimensions 69 x 87 cm.
 Clowns, 2014, Text, acrylic and fluorescent paint, dimensions and colors variable. Installation shot at Castello di Rivoli.
 We are Here Tonight to Celebrate Our Unknown Ancestors, 2009, spray paint, gouache and collage on paper. 35 x 50 cm.
 The Everyday Ritual of Solitude Hatching Monkeys, 2014, Super 16mm film transferred to Full HD, 13 minutes, 22 seconds. (commissioned by Art in General, New York in collaboration with HOME, Manchester, UK).  WATCH HERE
 No Shooting Stars, 2016, Super 16mm and GIF animations transferred to Full HD, 14 min. 25 sec. (co-commissioned by Jeu de Paume, Paris, Fondation Nationale des Arts Graphiques et Plastiques and CAPC musée d’art contemporain de Bordeaux).   WATCH HERE
 We're All Victims of Our Own Adopted Fantasies Here (Reprise), 2017, 5 C-prints from chemically altered negatives printed on metallic fujiflex paper. Overall dimensions 150 x 147 cm.
 A World Within a World Within a World Within a Green Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm
 Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014
 A World Within a World Within a World Within an Orange Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm
 A Portrait of a Landscape of Short-lived Waves with their Dead Magician Cousin, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm
 Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 2), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm
 Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 1), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm
 The Cautious Passing of Light Through Endless Layers of Forgiveness, 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm
 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.
 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP
 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP
 Installation shot. Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.  WATCH HERE
 Installation shot. Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.  WATCH HERE
 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).
 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).
 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).
 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).
 On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.  WATCH HERE
 My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.  WATCH HERE
 First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.
 First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.
 Crippled Rockets, 2005, Watercolors and spray paint on paper. 22.5 x 30cm
 Duck Hunting, 2004, Acrylic and coloring pencil on paper, 24 x 36 cm
 No One Will Ever Know, 2006, Spray paint and gouache on paper, 28 x 37 cm
 The Endless Forever, 2005, Spray paint and watercolors on paper, 32 x 24 cm
 Untitled, 2006, Spray paint, burnt photocopies and collage on paper, 24 x 34 cm

Eternity, 2018, Acrylic, vinyl, and text. Dimensions variable. Commissioned by University Galleries of Illinois State University, Normal, Illinois, USA.

Our Prehistoric Fate, 2011, two duraclear prints, powder-coated aluminum structure, light box displays and clamps. Prints are each 151 x 177 cm. Installation view MAAT - Museum of Art, Architecture and Technology, Lisbon


Someone Tried to Lock Up Time (Generation S), 2018 – Ongoing, 4 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm / 45 x 45 cm, each. Overall dimensions 94 x 116 cm.

Someone Tried to Lock Up Time (The Ruler Won't Live Forever), 2018 – Ongoing, 3 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm each. Overall dimensions 47 x 213 cm.

Someone Tried to Lock Up Time (Clouds are Dreams), 2018 – Ongoing, 5 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm / 45 x 45 cm, each. Overall dimensions 141 x 116 cm.

Someone Tried to Lock Up Time (The Secret Language We Speak), 2018 – Ongoing, 3 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm / 45 x 45 cm, each. Overall dimensions 47 x 185 cm.

Someone Tried to Lock Up Time (Everyone Had a Drone), 2018 – Ongoing, 2 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm / 25.5 x 38 cm, each. Overall dimensions 75 x 69 cm.

Someone Tried to Lock Up Time (Double Earth), 2018 – Ongoing, 2 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm, each. Overall dimensions 47 x 138 cm.

Someone Tried to Lock Up Time (Cassini), 2018 – Ongoing, 3 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm each, 25.5 x 38 cm. Overall dimensions 121 x 69 cm.

Someone Tried to Lock Up Time (Fish Tongue), 2018 – Ongoing, 2 C-Prints from chemically-altered slides on Fujiflex Metallic material, 67 x 45 cm / 25.5 x 38 cm, each. Overall dimensions 69 x 87 cm.

Clowns, 2014, Text, acrylic and fluorescent paint, dimensions and colors variable. Installation shot at Castello di Rivoli.

We are Here Tonight to Celebrate Our Unknown Ancestors, 2009, spray paint, gouache and collage on paper. 35 x 50 cm.


The Everyday Ritual of Solitude Hatching Monkeys, 2014, Super 16mm film transferred to Full HD, 13 minutes, 22 seconds. (commissioned by Art in General, New York in collaboration with HOME, Manchester, UK). WATCH HERE

No Shooting Stars, 2016, Super 16mm and GIF animations transferred to Full HD, 14 min. 25 sec. (co-commissioned by Jeu de Paume, Paris, Fondation Nationale des Arts Graphiques et Plastiques and CAPC musée d’art contemporain de Bordeaux). WATCH HERE

We're All Victims of Our Own Adopted Fantasies Here (Reprise), 2017, 5 C-prints from chemically altered negatives printed on metallic fujiflex paper. Overall dimensions 150 x 147 cm.

A World Within a World Within a World Within a Green Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014

A World Within a World Within a World Within an Orange Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

A Portrait of a Landscape of Short-lived Waves with their Dead Magician Cousin, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 2), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 1), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

The Cautious Passing of Light Through Endless Layers of Forgiveness, 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

Installation shot. Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec. WATCH HERE

Installation shot. Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec. WATCH HERE

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec. WATCH HERE

My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec. WATCH HERE

First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

Crippled Rockets, 2005, Watercolors and spray paint on paper. 22.5 x 30cm

Duck Hunting, 2004, Acrylic and coloring pencil on paper, 24 x 36 cm

No One Will Ever Know, 2006, Spray paint and gouache on paper, 28 x 37 cm

The Endless Forever, 2005, Spray paint and watercolors on paper, 32 x 24 cm

Untitled, 2006, Spray paint, burnt photocopies and collage on paper, 24 x 34 cm

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