A World Within a World Within a World Within a Green Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

A World Within a World Within a World Within a Green Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

 A World Within a World Within a World Within an Orange Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

A World Within a World Within a World Within an Orange Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

 A Portrait of a Landscape of Short-lived Waves with their Dead Magician Cousin, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

A Portrait of a Landscape of Short-lived Waves with their Dead Magician Cousin, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

 Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 2), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 2), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

 Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 1), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 1), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

 The Cautious Passing of Light Through Endless Layers of Forgiveness, 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

The Cautious Passing of Light Through Endless Layers of Forgiveness, 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

 A Lifetime Spent Digging for Hibernating Gold, 2014, C-print from a chemically altered positive on metallic paper, 34 x 51cm

A Lifetime Spent Digging for Hibernating Gold, 2014, C-print from a chemically altered positive on metallic paper, 34 x 51cm

 Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014

Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014

 Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014

Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014

 Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014

Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014

 Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014

Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014

 The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec.  WATCH HERE

The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec. WATCH HERE

 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.

 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.

 Installation shot. Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.  WATCH HERE

Installation shot. Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec. WATCH HERE

 Installation shot. Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.  WATCH HERE

Installation shot. Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec. WATCH HERE

 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

 Our Prehistoric Fate, 2011, two duraclear prints on vintage Yugoslavian military lightbox displays and clamps. Prints are each 151 x 177 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina. (photo: Vladimir Miladinovic).

Our Prehistoric Fate, 2011, two duraclear prints on vintage Yugoslavian military lightbox displays and clamps. Prints are each 151 x 177 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina. (photo: Vladimir Miladinovic).

 On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.  WATCH HERE

On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec. WATCH HERE

 My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.  WATCH HERE

My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec. WATCH HERE

 First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

 First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

 First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

 A Sign For Remembrance, 2011, engraved aluminum and steel. 125 x 50 x 35 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina

A Sign For Remembrance, 2011, engraved aluminum and steel. 125 x 50 x 35 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina

 Big Lousy Liar, 2005, Watercolors and marker on paper, 23 x 32 cm

Big Lousy Liar, 2005, Watercolors and marker on paper, 23 x 32 cm

 Crippled Rockets, 2005, Watercolors and spray paint on paper. 22.5 x 30cm

Crippled Rockets, 2005, Watercolors and spray paint on paper. 22.5 x 30cm

 Duck Hunting, 2004, Acrylic and coloring pencil on paper, 24 x 36 cm

Duck Hunting, 2004, Acrylic and coloring pencil on paper, 24 x 36 cm

 No One Will Ever Know, 2006, Spray paint and gouache on paper, 28 x 37 cm

No One Will Ever Know, 2006, Spray paint and gouache on paper, 28 x 37 cm

 The Endless Forever, 2005, Spray paint and watercolors on paper, 32 x 24 cm

The Endless Forever, 2005, Spray paint and watercolors on paper, 32 x 24 cm

 Untitled, 2006, Spray paint, burnt photocopies and collage on paper, 24 x 34 cm

Untitled, 2006, Spray paint, burnt photocopies and collage on paper, 24 x 34 cm

 A World Within a World Within a World Within a Green Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm
 A World Within a World Within a World Within an Orange Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm
 A Portrait of a Landscape of Short-lived Waves with their Dead Magician Cousin, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm
 Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 2), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm
 Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 1), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm
 The Cautious Passing of Light Through Endless Layers of Forgiveness, 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm
 A Lifetime Spent Digging for Hibernating Gold, 2014, C-print from a chemically altered positive on metallic paper, 34 x 51cm
 Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014
 Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014
 Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014
 Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014
 The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec.  WATCH HERE
 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP
 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.
 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP
 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP
 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.
 Installation shot. Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.  WATCH HERE
 Installation shot. Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.  WATCH HERE
 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).
 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).
 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).
 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).
 Our Prehistoric Fate, 2011, two duraclear prints on vintage Yugoslavian military lightbox displays and clamps. Prints are each 151 x 177 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina. (photo: Vladimir Miladinovic).
 On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.  WATCH HERE
 My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.  WATCH HERE
 First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.
 First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.
 First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.
 A Sign For Remembrance, 2011, engraved aluminum and steel. 125 x 50 x 35 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina
 Big Lousy Liar, 2005, Watercolors and marker on paper, 23 x 32 cm
 Crippled Rockets, 2005, Watercolors and spray paint on paper. 22.5 x 30cm
 Duck Hunting, 2004, Acrylic and coloring pencil on paper, 24 x 36 cm
 No One Will Ever Know, 2006, Spray paint and gouache on paper, 28 x 37 cm
 The Endless Forever, 2005, Spray paint and watercolors on paper, 32 x 24 cm
 Untitled, 2006, Spray paint, burnt photocopies and collage on paper, 24 x 34 cm

A World Within a World Within a World Within a Green Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

A World Within a World Within a World Within an Orange Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

A Portrait of a Landscape of Short-lived Waves with their Dead Magician Cousin, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 2), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 1), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

The Cautious Passing of Light Through Endless Layers of Forgiveness, 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

A Lifetime Spent Digging for Hibernating Gold, 2014, C-print from a chemically altered positive on metallic paper, 34 x 51cm

Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014

Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014

Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014

Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014

The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec. WATCH HERE

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.

Installation shot. Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec. WATCH HERE

Installation shot. Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec. WATCH HERE

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Our Prehistoric Fate, 2011, two duraclear prints on vintage Yugoslavian military lightbox displays and clamps. Prints are each 151 x 177 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina. (photo: Vladimir Miladinovic).

On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec. WATCH HERE

My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec. WATCH HERE

First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

A Sign For Remembrance, 2011, engraved aluminum and steel. 125 x 50 x 35 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina

Big Lousy Liar, 2005, Watercolors and marker on paper, 23 x 32 cm

Crippled Rockets, 2005, Watercolors and spray paint on paper. 22.5 x 30cm

Duck Hunting, 2004, Acrylic and coloring pencil on paper, 24 x 36 cm

No One Will Ever Know, 2006, Spray paint and gouache on paper, 28 x 37 cm

The Endless Forever, 2005, Spray paint and watercolors on paper, 32 x 24 cm

Untitled, 2006, Spray paint, burnt photocopies and collage on paper, 24 x 34 cm

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