Bark #5, 2018, Acrylic on canvas, 108 x 160 cm

Bark #5, 2018, Acrylic on canvas, 108 x 160 cm

 Bark #3, 2018, Acrylic on canvas, 108 x 160 cm

Bark #3, 2018, Acrylic on canvas, 108 x 160 cm

 Bark #8, 2018, Acrylic on canvas, 112 x 150 cm

Bark #8, 2018, Acrylic on canvas, 112 x 150 cm

 Bark #4, 2018, Acrylic on canvas, 112 x 150 cm

Bark #4, 2018, Acrylic on canvas, 112 x 150 cm

 Bark #9, 2018, Acrylic on canvas, 112 x 150 cm

Bark #9, 2018, Acrylic on canvas, 112 x 150 cm

 Bark #9, 2018, Acrylic on canvas, 112 x 150 cm

Bark #9, 2018, Acrylic on canvas, 112 x 150 cm

 Bark #6, 2018, Acrylic on canvas, 112 x 150 cm

Bark #6, 2018, Acrylic on canvas, 112 x 150 cm

 Bark #2, 2018, Acrylic on canvas, 108 x 160 cm

Bark #2, 2018, Acrylic on canvas, 108 x 160 cm

 Bark #1, 2018, Acrylic on canvas, 108 x 160 cm

Bark #1, 2018, Acrylic on canvas, 108 x 160 cm

 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

 Curse Carriers, 2011

Curse Carriers, 2011

 Trayvon #1, 2014, Acrylic on canvas, 115 x 90 cm

Trayvon #1, 2014, Acrylic on canvas, 115 x 90 cm

 Trayvon #4, 2014, Acrylic on canvas, 90 x 120 cm

Trayvon #4, 2014, Acrylic on canvas, 90 x 120 cm

 Trayvon #6, 2014, Acrylic on canvas, 115 x 90 cm

Trayvon #6, 2014, Acrylic on canvas, 115 x 90 cm

 Trayvon #7, 2014, Acrylic on canvas, 90 x 90 cm

Trayvon #7, 2014, Acrylic on canvas, 90 x 90 cm

 Trayvon #3, 2014, Acrylic on canvas, 115 x 90 cm

Trayvon #3, 2014, Acrylic on canvas, 115 x 90 cm

 Trayvon #5, 2014, Acrylic on canvas, 90 x 115 cm

Trayvon #5, 2014, Acrylic on canvas, 90 x 115 cm

 Trayvon #2, 2014, Acrylic on canvas, 115 x 90 cm

Trayvon #2, 2014, Acrylic on canvas, 115 x 90 cm

 Trayvon #8, 2014, Acrylic on canvas, 90 x 90 cm

Trayvon #8, 2014, Acrylic on canvas, 90 x 90 cm

 The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

 The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

 The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

 The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

 The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

 The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

 The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

 The New World, 2006, acrylic colors. Installation View, Sfeir Semler gallery, Beirut, Lebanon, 2007

The New World, 2006, acrylic colors. Installation View, Sfeir Semler gallery, Beirut, Lebanon, 2007

 The New World (Tshirt), 2006

The New World (Tshirt), 2006

 Helmets, 2005. Installation View, PROGR (Zentrum für Kulturproduktion), Bern, Switzerland

Helmets, 2005. Installation View, PROGR (Zentrum für Kulturproduktion), Bern, Switzerland

 Helmets I, 2005, acrylic on canvas, 140 x 100 cm

Helmets I, 2005, acrylic on canvas, 140 x 100 cm

 Helmets II, 2005, acrylic on canvas, 140 x 100 cm

Helmets II, 2005, acrylic on canvas, 140 x 100 cm

 Helmets III, 2005, acrylic on canvas, 140 x 100 cm

Helmets III, 2005, acrylic on canvas, 140 x 100 cm

 Helmet III Sketch, 2005

Helmet III Sketch, 2005

 Helmet 4 (Detail), 2005, acrylic on canvas

Helmet 4 (Detail), 2005, acrylic on canvas

 Helmet 4 Sketch, 2005, A4

Helmet 4 Sketch, 2005, A4

 Helmet 5 (Detail), 2005

Helmet 5 (Detail), 2005

 Helmet 6 (Detail), 2005, acrylic on canvas

Helmet 6 (Detail), 2005, acrylic on canvas

 Helmet 5 (Detail), 2005

Helmet 5 (Detail), 2005

 Untitled (Phoca Oceanid) –The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

Untitled (Phoca Oceanid) –The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

 Untitled (Taj Elephas) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

Untitled (Taj Elephas) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

 Untitled 1 - The Morphologist & the Architect, 2004, acrylic on canvas, 90 x 90 cm

Untitled 1 - The Morphologist & the Architect, 2004, acrylic on canvas, 90 x 90 cm

 Untitled 2 - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

Untitled 2 - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

 Untitled (Culicid Minaret) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

Untitled (Culicid Minaret) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

 Untitled (Crustacean) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

Untitled (Crustacean) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

 Untitled (Queen) - The Morphologist & the Architect, 2004, acrylic on canvas, 90 x 150 cm

Untitled (Queen) - The Morphologist & the Architect, 2004, acrylic on canvas, 90 x 150 cm

 Untitled (Industrial Harem), 2003, Sculpture: wood / PV foam sculpture 199.35 x 249. 88 x 178.64 cm, three paintings, acrylic on canvas, 140 x 100 x 5 cm each. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium.

Untitled (Industrial Harem), 2003, Sculpture: wood / PV foam sculpture 199.35 x 249. 88 x 178.64 cm, three paintings, acrylic on canvas, 140 x 100 x 5 cm each. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium.

 Untitled (Industrial Harem), 2003. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium

Untitled (Industrial Harem), 2003. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium

 Untitled, 2002, acrylic colors 15 m x 3.5 m ARCO Project room (Marco noire Contemporary Arts Gallery), Madrid, Spain

Untitled, 2002, acrylic colors 15 m x 3.5 m ARCO Project room (Marco noire Contemporary Arts Gallery), Madrid, Spain

 Untitled, 2002, acrylic colors, 19 m x 2.75 m (on inner curved semi-circle wall). Project for Centro de Arte Museo de Almeria, Almerìa, Spain

Untitled, 2002, acrylic colors, 19 m x 2.75 m (on inner curved semi-circle wall). Project for Centro de Arte Museo de Almeria, Almerìa, Spain

 Untitled, 2002, acrylic on canvas, 80 x 100 cm

Untitled, 2002, acrylic on canvas, 80 x 100 cm

 Antechamber Compositae A, 2002, acrylic colors (wall paintings)

Antechamber Compositae A, 2002, acrylic colors (wall paintings)

 Antechamber Compositae B, 2002, acrylic colors (wall paintings)

Antechamber Compositae B, 2002, acrylic colors (wall paintings)

 Untitled (Wall Painting 1), 2001, acrylic colors, 804 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA

Untitled (Wall Painting 1), 2001, acrylic colors, 804 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA

 Untitled (Wall Painting 2), 2001, acrylic colors, 960 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA

Untitled (Wall Painting 2), 2001, acrylic colors, 960 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA

 Untitled (Wall Painting 3), 2001, acrylic colors. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA

Untitled (Wall Painting 3), 2001, acrylic colors. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA

 Reconfigured Monuments, 2001, sculpture: painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x 110 cm. Installation view , Marco Noire Contemporary Arts Gallery, Turin, Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Turin, Italy

Reconfigured Monuments, 2001, sculpture: painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x 110 cm. Installation view , Marco Noire Contemporary Arts Gallery, Turin, Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Turin, Italy

 Reconfigured Monuments, 2001, sculpture: painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x 110 cm. Installation view, Marco Noire Contemporary Arts Gallery, Turin, Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Turin, Italy

Reconfigured Monuments, 2001, sculpture: painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x 110 cm. Installation view, Marco Noire Contemporary Arts Gallery, Turin, Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Turin, Italy

 Untitled -1 (Reconfigured Monuments), 2001, acrylic on canvas, 140 x 110 cm

Untitled -1 (Reconfigured Monuments), 2001, acrylic on canvas, 140 x 110 cm

 Untitled -2 (Reconfigured Monuments), 2001, acrylic on canvas, 140 x 110 cm

Untitled -2 (Reconfigured Monuments), 2001, acrylic on canvas, 140 x 110 cm

 Castle (Heritage of the Past 1), 2000, painted wood, 116 x 66 x 225 cm. Installation view, La Cabaña, Havana, Cuba

Castle (Heritage of the Past 1), 2000, painted wood, 116 x 66 x 225 cm. Installation view, La Cabaña, Havana, Cuba

 Burial Chamber II, (Heritage of the Past 2), 2000, painted wood,117 x 64 x 180 cm. Installation view, La Cabaña, Havana, Cuba. Courtesy: Museum of Modern Art, Havana, Cuba

Burial Chamber II, (Heritage of the Past 2), 2000, painted wood,117 x 64 x 180 cm. Installation view, La Cabaña, Havana, Cuba. Courtesy: Museum of Modern Art, Havana, Cuba

 Untitled (Esperance), 2001, acrylic on canvas, 100 x 80 cm

Untitled (Esperance), 2001, acrylic on canvas, 100 x 80 cm

 Untitled (Lighthouse), 2001, acrylic on canvas, 100 x 80 cm

Untitled (Lighthouse), 2001, acrylic on canvas, 100 x 80 cm

 Untitled, 2001, acrylic on canvas, 27 x 42cm

Untitled, 2001, acrylic on canvas, 27 x 42cm

 Untitled (sun), 2000, acrylic on canvas, 60 x 195 cm

Untitled (sun), 2000, acrylic on canvas, 60 x 195 cm

 Untitled, 1998, acrylic on canvas, 105 x 95 cm

Untitled, 1998, acrylic on canvas, 105 x 95 cm

 Burial Chamber I, 1998, sculpture: painted wood, 200 x 122 x 122 cm and painting: Chamber, 1998, acrylic on canvas,140 x 100 cm. Installation view. Courtesy: La Gaia Collection, Italy

Burial Chamber I, 1998, sculpture: painted wood, 200 x 122 x 122 cm and painting: Chamber, 1998, acrylic on canvas,140 x 100 cm. Installation view. Courtesy: La Gaia Collection, Italy

 Untitled, 1996, polished plywood, 245 x 140 x 240 cm. Installation view. General Greek Consulate, Alexandria, Egypt

Untitled, 1996, polished plywood, 245 x 140 x 240 cm. Installation view. General Greek Consulate, Alexandria, Egypt

 The Castle, 1996, natural polished wood, 120 x 80 x 225 cm. Installation view. Düsseldorf fine arts Academy, Düsseldorf, Germany

The Castle, 1996, natural polished wood, 120 x 80 x 225 cm. Installation view. Düsseldorf fine arts Academy, Düsseldorf, Germany

 “TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014

“TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014

 “TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014. (Installation view)

“TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014. (Installation view)

 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017.

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017.

 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)

 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)

 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017

 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017

 Bark #5, 2018, Acrylic on canvas, 108 x 160 cm
 Bark #3, 2018, Acrylic on canvas, 108 x 160 cm
 Bark #8, 2018, Acrylic on canvas, 112 x 150 cm
 Bark #4, 2018, Acrylic on canvas, 112 x 150 cm
 Bark #9, 2018, Acrylic on canvas, 112 x 150 cm
 Bark #9, 2018, Acrylic on canvas, 112 x 150 cm
 Bark #6, 2018, Acrylic on canvas, 112 x 150 cm
 Bark #2, 2018, Acrylic on canvas, 108 x 160 cm
 Bark #1, 2018, Acrylic on canvas, 108 x 160 cm
 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
 Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
 Curse Carriers, 2011
 Trayvon #1, 2014, Acrylic on canvas, 115 x 90 cm
 Trayvon #4, 2014, Acrylic on canvas, 90 x 120 cm
 Trayvon #6, 2014, Acrylic on canvas, 115 x 90 cm
 Trayvon #7, 2014, Acrylic on canvas, 90 x 90 cm
 Trayvon #3, 2014, Acrylic on canvas, 115 x 90 cm
 Trayvon #5, 2014, Acrylic on canvas, 90 x 115 cm
 Trayvon #2, 2014, Acrylic on canvas, 115 x 90 cm
 Trayvon #8, 2014, Acrylic on canvas, 90 x 90 cm
 The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
 The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
 The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
 The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
 The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
 The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
 The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
 The New World, 2006, acrylic colors. Installation View, Sfeir Semler gallery, Beirut, Lebanon, 2007
 The New World (Tshirt), 2006
 Helmets, 2005. Installation View, PROGR (Zentrum für Kulturproduktion), Bern, Switzerland
 Helmets I, 2005, acrylic on canvas, 140 x 100 cm
 Helmets II, 2005, acrylic on canvas, 140 x 100 cm
 Helmets III, 2005, acrylic on canvas, 140 x 100 cm
 Helmet III Sketch, 2005
 Helmet 4 (Detail), 2005, acrylic on canvas
 Helmet 4 Sketch, 2005, A4
 Helmet 5 (Detail), 2005
 Helmet 6 (Detail), 2005, acrylic on canvas
 Helmet 5 (Detail), 2005
 Untitled (Phoca Oceanid) –The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm
 Untitled (Taj Elephas) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm
 Untitled 1 - The Morphologist & the Architect, 2004, acrylic on canvas, 90 x 90 cm
 Untitled 2 - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm
 Untitled (Culicid Minaret) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm
 Untitled (Crustacean) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm
 Untitled (Queen) - The Morphologist & the Architect, 2004, acrylic on canvas, 90 x 150 cm
 Untitled (Industrial Harem), 2003, Sculpture: wood / PV foam sculpture 199.35 x 249. 88 x 178.64 cm, three paintings, acrylic on canvas, 140 x 100 x 5 cm each. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium.
 Untitled (Industrial Harem), 2003. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium
 Untitled, 2002, acrylic colors 15 m x 3.5 m ARCO Project room (Marco noire Contemporary Arts Gallery), Madrid, Spain
 Untitled, 2002, acrylic colors, 19 m x 2.75 m (on inner curved semi-circle wall). Project for Centro de Arte Museo de Almeria, Almerìa, Spain
 Untitled, 2002, acrylic on canvas, 80 x 100 cm
 Antechamber Compositae A, 2002, acrylic colors (wall paintings)
 Antechamber Compositae B, 2002, acrylic colors (wall paintings)
 Untitled (Wall Painting 1), 2001, acrylic colors, 804 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA
 Untitled (Wall Painting 2), 2001, acrylic colors, 960 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA
 Untitled (Wall Painting 3), 2001, acrylic colors. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA
 Reconfigured Monuments, 2001, sculpture: painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x 110 cm. Installation view , Marco Noire Contemporary Arts Gallery, Turin, Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Turin, Italy
 Reconfigured Monuments, 2001, sculpture: painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x 110 cm. Installation view, Marco Noire Contemporary Arts Gallery, Turin, Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Turin, Italy
 Untitled -1 (Reconfigured Monuments), 2001, acrylic on canvas, 140 x 110 cm
 Untitled -2 (Reconfigured Monuments), 2001, acrylic on canvas, 140 x 110 cm
 Castle (Heritage of the Past 1), 2000, painted wood, 116 x 66 x 225 cm. Installation view, La Cabaña, Havana, Cuba
 Burial Chamber II, (Heritage of the Past 2), 2000, painted wood,117 x 64 x 180 cm. Installation view, La Cabaña, Havana, Cuba. Courtesy: Museum of Modern Art, Havana, Cuba
 Untitled (Esperance), 2001, acrylic on canvas, 100 x 80 cm
 Untitled (Lighthouse), 2001, acrylic on canvas, 100 x 80 cm
 Untitled, 2001, acrylic on canvas, 27 x 42cm
 Untitled (sun), 2000, acrylic on canvas, 60 x 195 cm
 Untitled, 1998, acrylic on canvas, 105 x 95 cm
 Burial Chamber I, 1998, sculpture: painted wood, 200 x 122 x 122 cm and painting: Chamber, 1998, acrylic on canvas,140 x 100 cm. Installation view. Courtesy: La Gaia Collection, Italy
 Untitled, 1996, polished plywood, 245 x 140 x 240 cm. Installation view. General Greek Consulate, Alexandria, Egypt
 The Castle, 1996, natural polished wood, 120 x 80 x 225 cm. Installation view. Düsseldorf fine arts Academy, Düsseldorf, Germany
 “TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014
 “TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014. (Installation view)
 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017.
 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)
 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)
 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017
 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017

Bark #5, 2018, Acrylic on canvas, 108 x 160 cm

Bark #3, 2018, Acrylic on canvas, 108 x 160 cm

Bark #8, 2018, Acrylic on canvas, 112 x 150 cm

Bark #4, 2018, Acrylic on canvas, 112 x 150 cm

Bark #9, 2018, Acrylic on canvas, 112 x 150 cm

Bark #9, 2018, Acrylic on canvas, 112 x 150 cm

Bark #6, 2018, Acrylic on canvas, 112 x 150 cm

Bark #2, 2018, Acrylic on canvas, 108 x 160 cm

Bark #1, 2018, Acrylic on canvas, 108 x 160 cm

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Curse Carriers, 2011

Trayvon #1, 2014, Acrylic on canvas, 115 x 90 cm

Trayvon #4, 2014, Acrylic on canvas, 90 x 120 cm

Trayvon #6, 2014, Acrylic on canvas, 115 x 90 cm

Trayvon #7, 2014, Acrylic on canvas, 90 x 90 cm

Trayvon #3, 2014, Acrylic on canvas, 115 x 90 cm

Trayvon #5, 2014, Acrylic on canvas, 90 x 115 cm

Trayvon #2, 2014, Acrylic on canvas, 115 x 90 cm

Trayvon #8, 2014, Acrylic on canvas, 90 x 90 cm

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The New World, 2006, acrylic colors. Installation View, Sfeir Semler gallery, Beirut, Lebanon, 2007

The New World (Tshirt), 2006

Helmets, 2005. Installation View, PROGR (Zentrum für Kulturproduktion), Bern, Switzerland

Helmets I, 2005, acrylic on canvas, 140 x 100 cm

Helmets II, 2005, acrylic on canvas, 140 x 100 cm

Helmets III, 2005, acrylic on canvas, 140 x 100 cm

Helmet III Sketch, 2005

Helmet 4 (Detail), 2005, acrylic on canvas

Helmet 4 Sketch, 2005, A4

Helmet 5 (Detail), 2005

Helmet 6 (Detail), 2005, acrylic on canvas

Helmet 5 (Detail), 2005

Untitled (Phoca Oceanid) –The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

Untitled (Taj Elephas) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

Untitled 1 - The Morphologist & the Architect, 2004, acrylic on canvas, 90 x 90 cm

Untitled 2 - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

Untitled (Culicid Minaret) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

Untitled (Crustacean) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

Untitled (Queen) - The Morphologist & the Architect, 2004, acrylic on canvas, 90 x 150 cm

Untitled (Industrial Harem), 2003, Sculpture: wood / PV foam sculpture 199.35 x 249. 88 x 178.64 cm, three paintings, acrylic on canvas, 140 x 100 x 5 cm each. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium.

Untitled (Industrial Harem), 2003. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium

Untitled, 2002, acrylic colors 15 m x 3.5 m ARCO Project room (Marco noire Contemporary Arts Gallery), Madrid, Spain

Untitled, 2002, acrylic colors, 19 m x 2.75 m (on inner curved semi-circle wall). Project for Centro de Arte Museo de Almeria, Almerìa, Spain

Untitled, 2002, acrylic on canvas, 80 x 100 cm

Antechamber Compositae A, 2002, acrylic colors (wall paintings)

Antechamber Compositae B, 2002, acrylic colors (wall paintings)

Untitled (Wall Painting 1), 2001, acrylic colors, 804 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA

Untitled (Wall Painting 2), 2001, acrylic colors, 960 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA

Untitled (Wall Painting 3), 2001, acrylic colors. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA

Reconfigured Monuments, 2001, sculpture: painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x 110 cm. Installation view , Marco Noire Contemporary Arts Gallery, Turin, Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Turin, Italy

Reconfigured Monuments, 2001, sculpture: painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x 110 cm. Installation view, Marco Noire Contemporary Arts Gallery, Turin, Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Turin, Italy

Untitled -1 (Reconfigured Monuments), 2001, acrylic on canvas, 140 x 110 cm

Untitled -2 (Reconfigured Monuments), 2001, acrylic on canvas, 140 x 110 cm

Castle (Heritage of the Past 1), 2000, painted wood, 116 x 66 x 225 cm. Installation view, La Cabaña, Havana, Cuba

Burial Chamber II, (Heritage of the Past 2), 2000, painted wood,117 x 64 x 180 cm. Installation view, La Cabaña, Havana, Cuba. Courtesy: Museum of Modern Art, Havana, Cuba

Untitled (Esperance), 2001, acrylic on canvas, 100 x 80 cm

Untitled (Lighthouse), 2001, acrylic on canvas, 100 x 80 cm

Untitled, 2001, acrylic on canvas, 27 x 42cm

Untitled (sun), 2000, acrylic on canvas, 60 x 195 cm

Untitled, 1998, acrylic on canvas, 105 x 95 cm

Burial Chamber I, 1998, sculpture: painted wood, 200 x 122 x 122 cm and painting: Chamber, 1998, acrylic on canvas,140 x 100 cm. Installation view. Courtesy: La Gaia Collection, Italy

Untitled, 1996, polished plywood, 245 x 140 x 240 cm. Installation view. General Greek Consulate, Alexandria, Egypt

The Castle, 1996, natural polished wood, 120 x 80 x 225 cm. Installation view. Düsseldorf fine arts Academy, Düsseldorf, Germany

“TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014

“TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014. (Installation view)

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017.

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017

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