Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Apparatus and Form, 2022, Murals (Installation view), Alexandria Past Futures, Mucem, Marseille
Apparatus and Form, 2022, Murals (Installation view), Alexandria Past Futures, Mucem, Marseille
Apparatus and Form, 2022, Murals (Installation view), Alexandria Past Futures, Mucem, Marseille
Apparatus and Form, 2022, Murals (Installation view), Alexandria Past Futures, Mucem, Marseille
Apparatus and Form, Murals (Installation view), 2022, Alexandria Past Futures, Bozar, Brussels
Apparatus and Form, Murals (Installation views), 2022, Alexandria Past Futures, Bozar, Brussels
Apparatus and Form, Murals (Installation view), 2022, Alexandria Past Futures, Bozar, Brussels
Apparatus and Form, Murals (Installation view), 2022, Alexandria Past Futures, Bozar, Brussels
Bark #5, 2018, Acrylic on canvas, 108 x 160 cm
Bark #3, 2018, Acrylic on canvas, 108 x 160 cm
Bark #8, 2018, Acrylic on canvas, 112 x 150 cm
Bark #4, 2018, Acrylic on canvas, 112 x 150 cm
Bark #9, 2018, Acrylic on canvas, 112 x 150 cm
Bark #9, 2018, Acrylic on canvas, 112 x 150 cm
Bark #6, 2018, Acrylic on canvas, 112 x 150 cm
Bark #2, 2018, Acrylic on canvas, 108 x 160 cm
Bark #1, 2018, Acrylic on canvas, 108 x 160 cm
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Curse Carriers, 2011
Trayvon #1, 2014, Acrylic on canvas, 115 x 90 cm
Trayvon #4, 2014, Acrylic on canvas, 90 x 120 cm
Trayvon #6, 2014, Acrylic on canvas, 115 x 90 cm
Trayvon #7, 2014, Acrylic on canvas, 90 x 90 cm
Trayvon #3, 2014, Acrylic on canvas, 115 x 90 cm
Trayvon #5, 2014, Acrylic on canvas, 90 x 115 cm
Trayvon #2, 2014, Acrylic on canvas, 115 x 90 cm
Trayvon #8, 2014, Acrylic on canvas, 90 x 90 cm
The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
The New World, 2006, acrylic colors. Installation View, Sfeir Semler gallery, Beirut, Lebanon, 2007
The New World (Tshirt), 2006
Helmets, 2005. Installation View, PROGR (Zentrum für Kulturproduktion), Bern, Switzerland
Helmets I, 2005, acrylic on canvas, 140 x 100 cm
Helmets II, 2005, acrylic on canvas, 140 x 100 cm
Helmets III, 2005, acrylic on canvas, 140 x 100 cm
Helmet III Sketch, 2005
Helmet 4 (Detail), 2005, acrylic on canvas
Helmet 4 Sketch, 2005, A4
Helmet 5 (Detail), 2005
Helmet 6 (Detail), 2005, acrylic on canvas
Helmet 5 (Detail), 2005
Untitled (Phoca Oceanid) –The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm
Untitled (Taj Elephas) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm
Untitled 1 - The Morphologist & the Architect, 2004, acrylic on canvas, 90 x 90 cm
Untitled 2 - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm
Untitled (Culicid Minaret) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm
Untitled (Crustacean) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm
Untitled (Queen) - The Morphologist & the Architect, 2004, acrylic on canvas, 90 x 150 cm
Untitled (Industrial Harem), 2003, Sculpture: wood / PV foam sculpture 199.35 x 249. 88 x 178.64 cm, three paintings, acrylic on canvas, 140 x 100 x 5 cm each. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium.
Untitled (Industrial Harem), 2003. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium
Untitled, 2002, acrylic colors 15 m x 3.5 m ARCO Project room (Marco noire Contemporary Arts Gallery), Madrid, Spain
Untitled, 2002, acrylic colors, 19 m x 2.75 m (on inner curved semi-circle wall). Project for Centro de Arte Museo de Almeria, Almerìa, Spain
Untitled, 2002, acrylic on canvas, 80 x 100 cm
Antechamber Compositae A, 2002, acrylic colors (wall paintings)
Antechamber Compositae B, 2002, acrylic colors (wall paintings)
Untitled (Wall Painting 1), 2001, acrylic colors, 804 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA
Untitled (Wall Painting 2), 2001, acrylic colors, 960 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA
Untitled (Wall Painting 3), 2001, acrylic colors. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA
Reconfigured Monuments, 2001, sculpture: painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x 110 cm. Installation view , Marco Noire Contemporary Arts Gallery, Turin, Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Turin, Italy
Reconfigured Monuments, 2001, sculpture: painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x 110 cm. Installation view, Marco Noire Contemporary Arts Gallery, Turin, Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Turin, Italy
Untitled -1 (Reconfigured Monuments), 2001, acrylic on canvas, 140 x 110 cm
Untitled -2 (Reconfigured Monuments), 2001, acrylic on canvas, 140 x 110 cm
Castle (Heritage of the Past 1), 2000, painted wood, 116 x 66 x 225 cm. Installation view, La Cabaña, Havana, Cuba
Burial Chamber II, (Heritage of the Past 2), 2000, painted wood,117 x 64 x 180 cm. Installation view, La Cabaña, Havana, Cuba. Courtesy: Museum of Modern Art, Havana, Cuba
Untitled (Esperance), 2001, acrylic on canvas, 100 x 80 cm
Untitled (Lighthouse), 2001, acrylic on canvas, 100 x 80 cm
Untitled, 2001, acrylic on canvas, 27 x 42cm
Untitled (sun), 2000, acrylic on canvas, 60 x 195 cm
Untitled, 1998, acrylic on canvas, 105 x 95 cm
Burial Chamber I, 1998, sculpture: painted wood, 200 x 122 x 122 cm and painting: Chamber, 1998, acrylic on canvas,140 x 100 cm. Installation view. Courtesy: La Gaia Collection, Italy
Untitled, 1996, polished plywood, 245 x 140 x 240 cm. Installation view. General Greek Consulate, Alexandria, Egypt
The Castle, 1996, natural polished wood, 120 x 80 x 225 cm. Installation view. Düsseldorf fine arts Academy, Düsseldorf, Germany
“TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014
“TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014. (Installation view)
“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017.
“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)
“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)
“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017
“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Strange Comforts, 2023. A project for the intensive care unit of Meilahti Bridge Hospital and Helsinki University Hospital. Curated by Taru Elving, the project was realized in 2023 as part of Encounters - Art in the Bridge Hospital.
Apparatus and Form, 2022, Murals (Installation view), Alexandria Past Futures, Mucem, Marseille
Apparatus and Form, 2022, Murals (Installation view), Alexandria Past Futures, Mucem, Marseille
Apparatus and Form, 2022, Murals (Installation view), Alexandria Past Futures, Mucem, Marseille
Apparatus and Form, 2022, Murals (Installation view), Alexandria Past Futures, Mucem, Marseille
Apparatus and Form, Murals (Installation view), 2022, Alexandria Past Futures, Bozar, Brussels
Apparatus and Form, Murals (Installation views), 2022, Alexandria Past Futures, Bozar, Brussels
Apparatus and Form, Murals (Installation view), 2022, Alexandria Past Futures, Bozar, Brussels
Apparatus and Form, Murals (Installation view), 2022, Alexandria Past Futures, Bozar, Brussels
Bark #5, 2018, Acrylic on canvas, 108 x 160 cm
Bark #3, 2018, Acrylic on canvas, 108 x 160 cm
Bark #8, 2018, Acrylic on canvas, 112 x 150 cm
Bark #4, 2018, Acrylic on canvas, 112 x 150 cm
Bark #9, 2018, Acrylic on canvas, 112 x 150 cm
Bark #9, 2018, Acrylic on canvas, 112 x 150 cm
Bark #6, 2018, Acrylic on canvas, 112 x 150 cm
Bark #2, 2018, Acrylic on canvas, 108 x 160 cm
Bark #1, 2018, Acrylic on canvas, 108 x 160 cm
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.
Curse Carriers, 2011
Trayvon #1, 2014, Acrylic on canvas, 115 x 90 cm
Trayvon #4, 2014, Acrylic on canvas, 90 x 120 cm
Trayvon #6, 2014, Acrylic on canvas, 115 x 90 cm
Trayvon #7, 2014, Acrylic on canvas, 90 x 90 cm
Trayvon #3, 2014, Acrylic on canvas, 115 x 90 cm
Trayvon #5, 2014, Acrylic on canvas, 90 x 115 cm
Trayvon #2, 2014, Acrylic on canvas, 115 x 90 cm
Trayvon #8, 2014, Acrylic on canvas, 90 x 90 cm
The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film, 2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison
The New World, 2006, acrylic colors. Installation View, Sfeir Semler gallery, Beirut, Lebanon, 2007
The New World (Tshirt), 2006
Helmets, 2005. Installation View, PROGR (Zentrum für Kulturproduktion), Bern, Switzerland
Helmets I, 2005, acrylic on canvas, 140 x 100 cm
Helmets II, 2005, acrylic on canvas, 140 x 100 cm
Helmets III, 2005, acrylic on canvas, 140 x 100 cm
Helmet III Sketch, 2005
Helmet 4 (Detail), 2005, acrylic on canvas
Helmet 4 Sketch, 2005, A4
Helmet 5 (Detail), 2005
Helmet 6 (Detail), 2005, acrylic on canvas
Helmet 5 (Detail), 2005
Untitled (Phoca Oceanid) –The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm
Untitled (Taj Elephas) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm
Untitled 1 - The Morphologist & the Architect, 2004, acrylic on canvas, 90 x 90 cm
Untitled 2 - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm
Untitled (Culicid Minaret) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm
Untitled (Crustacean) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm
Untitled (Queen) - The Morphologist & the Architect, 2004, acrylic on canvas, 90 x 150 cm
Untitled (Industrial Harem), 2003, Sculpture: wood / PV foam sculpture 199.35 x 249. 88 x 178.64 cm, three paintings, acrylic on canvas, 140 x 100 x 5 cm each. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium.
Untitled (Industrial Harem), 2003. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium
Untitled, 2002, acrylic colors 15 m x 3.5 m ARCO Project room (Marco noire Contemporary Arts Gallery), Madrid, Spain
Untitled, 2002, acrylic colors, 19 m x 2.75 m (on inner curved semi-circle wall). Project for Centro de Arte Museo de Almeria, Almerìa, Spain
Untitled, 2002, acrylic on canvas, 80 x 100 cm
Antechamber Compositae A, 2002, acrylic colors (wall paintings)
Antechamber Compositae B, 2002, acrylic colors (wall paintings)
Untitled (Wall Painting 1), 2001, acrylic colors, 804 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA
Untitled (Wall Painting 2), 2001, acrylic colors, 960 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA
Untitled (Wall Painting 3), 2001, acrylic colors. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA
Reconfigured Monuments, 2001, sculpture: painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x 110 cm. Installation view , Marco Noire Contemporary Arts Gallery, Turin, Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Turin, Italy
Reconfigured Monuments, 2001, sculpture: painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x 110 cm. Installation view, Marco Noire Contemporary Arts Gallery, Turin, Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Turin, Italy
Untitled -1 (Reconfigured Monuments), 2001, acrylic on canvas, 140 x 110 cm
Untitled -2 (Reconfigured Monuments), 2001, acrylic on canvas, 140 x 110 cm
Castle (Heritage of the Past 1), 2000, painted wood, 116 x 66 x 225 cm. Installation view, La Cabaña, Havana, Cuba
Burial Chamber II, (Heritage of the Past 2), 2000, painted wood,117 x 64 x 180 cm. Installation view, La Cabaña, Havana, Cuba. Courtesy: Museum of Modern Art, Havana, Cuba
Untitled (Esperance), 2001, acrylic on canvas, 100 x 80 cm
Untitled (Lighthouse), 2001, acrylic on canvas, 100 x 80 cm
Untitled, 2001, acrylic on canvas, 27 x 42cm
Untitled (sun), 2000, acrylic on canvas, 60 x 195 cm
Untitled, 1998, acrylic on canvas, 105 x 95 cm
Burial Chamber I, 1998, sculpture: painted wood, 200 x 122 x 122 cm and painting: Chamber, 1998, acrylic on canvas,140 x 100 cm. Installation view. Courtesy: La Gaia Collection, Italy
Untitled, 1996, polished plywood, 245 x 140 x 240 cm. Installation view. General Greek Consulate, Alexandria, Egypt
The Castle, 1996, natural polished wood, 120 x 80 x 225 cm. Installation view. Düsseldorf fine arts Academy, Düsseldorf, Germany
“TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014
“TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014. (Installation view)
“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017.
“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)
“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)
“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017
“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017