
Installation view - Frieze London Focus, 2023

Installation view - Frieze London Focus, 2023

Installation view - Frieze London Focus, 2023

Installation view - The Eye of the Earth, 2022.

Holding on to The Mountain, 2022, Painting and stitching on vintage bundle fabric, 83 x 77 cm.

Installation view - The Eye of the Earth, 2022.
Deaf Cave, 2022, Painting and stitching on dyed fabric, 96 x 125 cm.
Unkept Secrets, 2022, Painting and stitching on dyed fabric, 94 x 130 cm.

Quiet Abrasion, 2022, Five pieces of pillowcase stitching and painting on natural dyed pillowcases, 67 x 45 cm.

The Mouth of The Ground, 2021, 8 pieces fabric works, textile painting and embroidery on naturally dyed fabrics; patchwork on fiber-filled fabric, 26 x 30 cm each.

Installation view - The Mouth of The Ground, 2021. Textile painting and embroidery on naturally dyed fabrics; patchwork on Fiber-filled fabric.
Courtesy by Invisible Dust, 2021. Photo credit by Jaron James and Garry Jones. The Mouth of the Ground was commissioned and produced by Invisible Dust in partnership with The Herbert Art Gallery and Museum and publicly funded by Coventry City Council, National Lottery funded by Arts Council England and the Wellcome Trust’.

The Mouth of The Ground, 2021. Textile painting and embroidery on naturally dyed fabrics; patchwork on Fiber-filled fabric.
Courtesy by Invisible Dust, 2021. Photo credit by Jaron James and Garry Jones. The Mouth of the Ground was commissioned and produced by Invisible Dust in partnership with The Herbert Art Gallery and Museum and publicly funded by Coventry City Council, National Lottery funded by Arts Council England and the Wellcome Trust’.

Installation view - They Said Everything They Couldn’t Say And You Fell Silent, 2021. 7 pieces of embroidered works on vintage fabrics. Supported by SAHA – Supporting Contemporary Art from Turkey. Photo credit by Margarita Ogolceva

They Said Everything They Couldn’t Say And You Fell Silent, 2021. 7 pieces of embroidered works on vintage fabrics. Supported by SAHA – Supporting Contemporary Art from Turkey. Photo credit by Margarita Ogolceva

They Said Everything They Couldn’t Say And You Fell Silent, 2021. 7 pieces of embroidered works on vintage fabrics. Supported by SAHA – Supporting Contemporary Art from Turkey. Photo credit by Margarita Ogolceva

As The Roots Spoke, the Cracks Deepen (2019-2020). Painting and stitching on found fabrics hand-dyed with plant extracts; 3- channel audio installation with a prayer by Sema Kaygusuz. Commissioned by the 13th Gwangju Biennale. Supported by SAHA – Supporting Contemporary Art from Turkey. Photo Credit by Sang Tae Kim

As The Roots Spoke, the Cracks Deepen (2019-2020). Painting and stitching on found fabrics hand-dyed with plant extracts; 3- channel audio installation with a prayer by Sema Kaygusuz. Commissioned by the 13th Gwangju Biennale. Supported by SAHA – Supporting Contemporary Art from Turkey. Photo Credit by Sang Tae Kim

As The Roots Spoke, the Cracks Deepen (2019-2020). Painting and stitching on found fabrics hand-dyed with plant extracts; 3- channel audio installation with a prayer by Sema Kaygusuz. Commissioned by the 13th Gwangju Biennale. Supported by SAHA – Supporting Contemporary Art from Turkey. Photo Credit by Sang Tae Kim

EMANET / ENTHAUSTED, 2020, Stitching and painting on pillowcase, 107 x 83 cm

Tree Talks, 2020, Stitching, painting and patchwork on fabric, 112 x 161 cm

PAULOWNIA (Paulownia tomentosa), 2019, Stitching and painting on duvet dyed with plant extract & patchwork with fabric, 115 x 92 cm

The Lost Water, 2020, Stitching and painting and patchwork on pillowcase dyed with plant extract, 78 x 93 cm

The Deficient Joint Gap, 2017, embroidery and painting on table cover, 119 x 130 cm.

Installation shot, 15th Istanbul Biennial, Pera Museum, 2017.

Special Passport, 2009, embroidery on fabric, 14.5 x 9.5 cm (original
dimensions) 22 pages.
Absent Demonstrations, 2016, embroidery, painting on naturaldyed fabric, 116.5 x 146.5 cm

Diplomacy, 2014, embroidery and painting on fabric, 147 x 206 cm.

Perfect Match, 2018, Stitching on found fabric, 88 x 148 cm.

Bird Talks, 2018, Stitching - painting and applique on found fabric, 112 x 222 cm.

Stady in Storm, 2018, Stitching - painting and patchwork on found fabric, 57 x 39 cm.

Local Stranger, 2018, Stitching - painting and patchwork on found fabric, 79 x 75 cm.

#23 (Nook Series), 2018, Drawing series on natural-dyed paper, 30 x 21 cm.

#25 (Nook Series), 2018, Drawing series on natural-dyed paper, 30 x 21 cm.

Red-handed, 2017, Stitching on stained table cover, 163 x 193 cm

#27 (Nook Series), 2018, Drawing series on natural-dyed paper, 30 x 21 cm.

#34 (Nook Series), 2018, Drawing series on natural-dyed paper, 30 x 21 cm.

Hunters Shot Each Other, Stitching and painting on duvet, 2012, 105 x 150 cm

At-Home Day, 2009, embroidery and painting on fabric, 62 x 62 cm.



































Installation view - Frieze London Focus, 2023
Installation view - Frieze London Focus, 2023
Installation view - Frieze London Focus, 2023
Installation view - The Eye of the Earth, 2022.
Holding on to The Mountain, 2022, Painting and stitching on vintage bundle fabric, 83 x 77 cm.
Installation view - The Eye of the Earth, 2022.
Deaf Cave, 2022, Painting and stitching on dyed fabric, 96 x 125 cm.
Unkept Secrets, 2022, Painting and stitching on dyed fabric, 94 x 130 cm.
Quiet Abrasion, 2022, Five pieces of pillowcase stitching and painting on natural dyed pillowcases, 67 x 45 cm.
The Mouth of The Ground, 2021, 8 pieces fabric works, textile painting and embroidery on naturally dyed fabrics; patchwork on fiber-filled fabric, 26 x 30 cm each.
Installation view - The Mouth of The Ground, 2021. Textile painting and embroidery on naturally dyed fabrics; patchwork on Fiber-filled fabric.
Courtesy by Invisible Dust, 2021. Photo credit by Jaron James and Garry Jones. The Mouth of the Ground was commissioned and produced by Invisible Dust in partnership with The Herbert Art Gallery and Museum and publicly funded by Coventry City Council, National Lottery funded by Arts Council England and the Wellcome Trust’.
The Mouth of The Ground, 2021. Textile painting and embroidery on naturally dyed fabrics; patchwork on Fiber-filled fabric.
Courtesy by Invisible Dust, 2021. Photo credit by Jaron James and Garry Jones. The Mouth of the Ground was commissioned and produced by Invisible Dust in partnership with The Herbert Art Gallery and Museum and publicly funded by Coventry City Council, National Lottery funded by Arts Council England and the Wellcome Trust’.
Installation view - They Said Everything They Couldn’t Say And You Fell Silent, 2021. 7 pieces of embroidered works on vintage fabrics. Supported by SAHA – Supporting Contemporary Art from Turkey. Photo credit by Margarita Ogolceva
They Said Everything They Couldn’t Say And You Fell Silent, 2021. 7 pieces of embroidered works on vintage fabrics. Supported by SAHA – Supporting Contemporary Art from Turkey. Photo credit by Margarita Ogolceva
They Said Everything They Couldn’t Say And You Fell Silent, 2021. 7 pieces of embroidered works on vintage fabrics. Supported by SAHA – Supporting Contemporary Art from Turkey. Photo credit by Margarita Ogolceva
As The Roots Spoke, the Cracks Deepen (2019-2020). Painting and stitching on found fabrics hand-dyed with plant extracts; 3- channel audio installation with a prayer by Sema Kaygusuz. Commissioned by the 13th Gwangju Biennale. Supported by SAHA – Supporting Contemporary Art from Turkey. Photo Credit by Sang Tae Kim
As The Roots Spoke, the Cracks Deepen (2019-2020). Painting and stitching on found fabrics hand-dyed with plant extracts; 3- channel audio installation with a prayer by Sema Kaygusuz. Commissioned by the 13th Gwangju Biennale. Supported by SAHA – Supporting Contemporary Art from Turkey. Photo Credit by Sang Tae Kim
As The Roots Spoke, the Cracks Deepen (2019-2020). Painting and stitching on found fabrics hand-dyed with plant extracts; 3- channel audio installation with a prayer by Sema Kaygusuz. Commissioned by the 13th Gwangju Biennale. Supported by SAHA – Supporting Contemporary Art from Turkey. Photo Credit by Sang Tae Kim
EMANET / ENTHAUSTED, 2020, Stitching and painting on pillowcase, 107 x 83 cm
Tree Talks, 2020, Stitching, painting and patchwork on fabric, 112 x 161 cm
PAULOWNIA (Paulownia tomentosa), 2019, Stitching and painting on duvet dyed with plant extract & patchwork with fabric, 115 x 92 cm
The Lost Water, 2020, Stitching and painting and patchwork on pillowcase dyed with plant extract, 78 x 93 cm
The Deficient Joint Gap, 2017, embroidery and painting on table cover, 119 x 130 cm.
Installation shot, 15th Istanbul Biennial, Pera Museum, 2017.
Special Passport, 2009, embroidery on fabric, 14.5 x 9.5 cm (original
dimensions) 22 pages.
Absent Demonstrations, 2016, embroidery, painting on naturaldyed fabric, 116.5 x 146.5 cm
Diplomacy, 2014, embroidery and painting on fabric, 147 x 206 cm.
Perfect Match, 2018, Stitching on found fabric, 88 x 148 cm.
Bird Talks, 2018, Stitching - painting and applique on found fabric, 112 x 222 cm.
Stady in Storm, 2018, Stitching - painting and patchwork on found fabric, 57 x 39 cm.
Local Stranger, 2018, Stitching - painting and patchwork on found fabric, 79 x 75 cm.
#23 (Nook Series), 2018, Drawing series on natural-dyed paper, 30 x 21 cm.
#25 (Nook Series), 2018, Drawing series on natural-dyed paper, 30 x 21 cm.
Red-handed, 2017, Stitching on stained table cover, 163 x 193 cm
#27 (Nook Series), 2018, Drawing series on natural-dyed paper, 30 x 21 cm.
#34 (Nook Series), 2018, Drawing series on natural-dyed paper, 30 x 21 cm.
Hunters Shot Each Other, Stitching and painting on duvet, 2012, 105 x 150 cm
At-Home Day, 2009, embroidery and painting on fabric, 62 x 62 cm.