Antedoom (Express Animation), 2018, Pigmented ink print, mounted on acrylic glass, 100 x 70 cm.
Antedoom (Godfrey Hounsfield), 2018, Pigmented ink print, mounted on acrylic glass, 100 x 70 cm.
Installation view from LISTE Art Fair 2018
Installation view from LISTE Art Fair 2018
100 Rotten Tricks (#01), 2018, Pigmented ink print, mounted on acrylic glass, 110 x 62 cm.
100 Rotten Tricks (#04), 2018, Pigmented ink print, mounted on acrylic glass, 110 x 62 cm.
Antedoom installation view from Sharjah Biennial 13, 2017
Antedoom installation view from Sharjah Biennial 13, 2017
Antedoom installation view from Sharjah Biennial 13, 2017
Antedoom installation view from Sharjah Biennial 13, 2017
Antedoom installation view from Sharjah Biennial 13, 2017
Setareh Shahbazi, ANTEDOOM, 2017/18 Multimedia installation
Painting Lady, Scratch and Boy, Binary Is A False Idol, 2016, pigmented ink print on rice paper, 120 x 90 cm
Soft Corner I, Binary Is A False Idol, 2016, pigmented ink print on rice paper, 32 x 25 cm
Soft Corner II, Binary Is A False Idol, 2016, pigmented ink print on rice paper, 63 x 49 cm
Installation view from Binary is a False Idol in Gypsum, 2016
Cassata Siciliana II, Binary Is A False Idol, 2015, C-Print, 80 x 60 cm
Cassata Siciliana III, Binary Is A False Idol, 2015, C-Print, 80 x 60 cm
Installation view from Binary is a False Idol in Gypsum, 2016
Cassata Siciliana IV, Binary Is A False Idol, 2015, C-Print, 120 x 90 cm
Cassata Siciliana VI, Binary Is A False Idol, 2015, C-Print, 80 x 60 cm
Cassata Siciliana VII, Binary Is A False Idol, C-Print, 2016, 100 x 75 cm
Blue Corner, Yellow Shoes, Binary Is A False Idol, 2016, C-Print, 104 x 79 cm
High Noon, Binary Is A False Idol, 2016, C-print, 104 x 79 cm
Blue Corner, Yellow Shoes, (from the series “Binary Is A False Idol”), 2016, pigmented ink print, 40 x 30 cm
Moving Forward With No Return, Binary Is A False Idol, 2016, C-Print, 104 x 89,3 cm
Abstract Blue, Binary Is A False Idol, 2015, pigmented ink print, 60 x 46,6 cm
Cloud N° 1, Binary Is A False Idol, 2015 pigmented ink print, framed dimensions 60 x 46,6 cm
Something Always Falls (Traffic), 2015, pigmented ink print on rice paper, 83 x 63 cm
Left: Tweety, Right: Starry Sky, 2015, pigmented ink print on rice paper, 83 x 63 cm
Right: Sinai Flip, Left: Bent El Chark, 2015, pigmented ink print on rice paper, 83 x 63 cm
Left: Something Always Falls (balloons), Right: Camera, pigmented ink print on rice paper, 83 x 63 cm
Installation view from The Truth About Fiction, 2018, from the series “Something Always Falls”
Installation view from Nottingham Contemporary 2017, from the exhibition Ear to Ear to Eye.
Spectral Days, C-print, 85 x 60 cm, 2013.
Spectral Days, archival ink print, 28 x 20 cm, 2013.
Spectral Days, C-print, 63 x 45 cm, 2013.
Spectral Days, C-print, 85 x 60 cm, 2013.
Spectral Days, C-print, 85 x 60 cm, 2013.
Spectral Days, archival ink print, 28 x 20 cm, 2013.
Spectral Days, archival ink print, 28 x 20 cm, 2013.
Spectral Days, archival ink print, 28 x 20 cm, 2013.
Spectral Days, C-print, 63 x 45 cm, 2013.
Installation view from the exhibition Spectral Days in Gypsum, 2013
Installation view from the exhibition Spectral Days in Gypsum, 2013
Installation view from the exhibition Comfort Zone (Home) 2019, at VCU Gallery, Doha
Installation view from the exhibition Comfort Zone (Home) 2019, at VCU Gallery, Doha
Installation view from the exhibition Comfort Zone (Home) 2019, at VCU Gallery, Doha
Installation view from the exhibition Comfort Zone (Home) 2019, at VCU Gallery, Doha
Installation view from the exhibition Comfort Zone (Home) 2019, at VCU Gallery, Doha
Installation view from the exhibition Comfort Zone (Home) 2019, at VCU Gallery, Doha
Installation view from the exhibition Comfort Zone (Home) 2019, at VCU Gallery, Doha
Spectral Days, C-print, dimensions variable, 2012.
Spectral Days, C-print, 85 x 60 cm, 2013.
Cats, archival ink print, 65 x 45 cm, 2011.
Flowers, archival ink print, 60 x 45 cm, 2011.
Distort the end and turn it into candy, C-print, framed, 85 x 60 cm, 2012.
Distort the end and turn it into candy, C-print, framed, 85 x 60 cm, 2012.
Distort the end and turn it into candy, C-print, framed, 85 x 60 cm, 2012.
Installation shot from Kadist, Paris, 2012
Installation shot from Kadist, Paris, 2012
Oh, no, no... - The Crystal series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminium, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminium, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminium, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminium, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminium, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminium, 56,7 cm x 84 cm, 2004.
Antedoom (Express Animation), 2018, Pigmented ink print, mounted on acrylic glass, 100 x 70 cm.
Antedoom (Godfrey Hounsfield), 2018, Pigmented ink print, mounted on acrylic glass, 100 x 70 cm.
Installation view from LISTE Art Fair 2018
Installation view from LISTE Art Fair 2018
100 Rotten Tricks (#01), 2018, Pigmented ink print, mounted on acrylic glass, 110 x 62 cm.
100 Rotten Tricks (#04), 2018, Pigmented ink print, mounted on acrylic glass, 110 x 62 cm.
Antedoom installation view from Sharjah Biennial 13, 2017
Antedoom installation view from Sharjah Biennial 13, 2017
Antedoom installation view from Sharjah Biennial 13, 2017
Antedoom installation view from Sharjah Biennial 13, 2017
Antedoom installation view from Sharjah Biennial 13, 2017
Setareh Shahbazi, ANTEDOOM, 2017/18 Multimedia installation
Painting Lady, Scratch and Boy, Binary Is A False Idol, 2016, pigmented ink print on rice paper, 120 x 90 cm
Soft Corner I, Binary Is A False Idol, 2016, pigmented ink print on rice paper, 32 x 25 cm
Soft Corner II, Binary Is A False Idol, 2016, pigmented ink print on rice paper, 63 x 49 cm
Installation view from Binary is a False Idol in Gypsum, 2016
Cassata Siciliana II, Binary Is A False Idol, 2015, C-Print, 80 x 60 cm
Cassata Siciliana III, Binary Is A False Idol, 2015, C-Print, 80 x 60 cm
Installation view from Binary is a False Idol in Gypsum, 2016
Cassata Siciliana IV, Binary Is A False Idol, 2015, C-Print, 120 x 90 cm
Cassata Siciliana VI, Binary Is A False Idol, 2015, C-Print, 80 x 60 cm
Cassata Siciliana VII, Binary Is A False Idol, C-Print, 2016, 100 x 75 cm
Blue Corner, Yellow Shoes, Binary Is A False Idol, 2016, C-Print, 104 x 79 cm
High Noon, Binary Is A False Idol, 2016, C-print, 104 x 79 cm
Blue Corner, Yellow Shoes, (from the series “Binary Is A False Idol”), 2016, pigmented ink print, 40 x 30 cm
Moving Forward With No Return, Binary Is A False Idol, 2016, C-Print, 104 x 89,3 cm
Abstract Blue, Binary Is A False Idol, 2015, pigmented ink print, 60 x 46,6 cm
Cloud N° 1, Binary Is A False Idol, 2015 pigmented ink print, framed dimensions 60 x 46,6 cm
Something Always Falls (Traffic), 2015, pigmented ink print on rice paper, 83 x 63 cm
Left: Tweety, Right: Starry Sky, 2015, pigmented ink print on rice paper, 83 x 63 cm
Right: Sinai Flip, Left: Bent El Chark, 2015, pigmented ink print on rice paper, 83 x 63 cm
Left: Something Always Falls (balloons), Right: Camera, pigmented ink print on rice paper, 83 x 63 cm
Installation view from The Truth About Fiction, 2018, from the series “Something Always Falls”
Installation view from Nottingham Contemporary 2017, from the exhibition Ear to Ear to Eye.
Spectral Days, C-print, 85 x 60 cm, 2013.
Spectral Days, archival ink print, 28 x 20 cm, 2013.
Spectral Days, C-print, 63 x 45 cm, 2013.
Spectral Days, C-print, 85 x 60 cm, 2013.
Spectral Days, C-print, 85 x 60 cm, 2013.
Spectral Days, archival ink print, 28 x 20 cm, 2013.
Spectral Days, archival ink print, 28 x 20 cm, 2013.
Spectral Days, archival ink print, 28 x 20 cm, 2013.
Spectral Days, C-print, 63 x 45 cm, 2013.
Installation view from the exhibition Spectral Days in Gypsum, 2013
Installation view from the exhibition Spectral Days in Gypsum, 2013
Installation view from the exhibition Comfort Zone (Home) 2019, at VCU Gallery, Doha
Installation view from the exhibition Comfort Zone (Home) 2019, at VCU Gallery, Doha
Installation view from the exhibition Comfort Zone (Home) 2019, at VCU Gallery, Doha
Installation view from the exhibition Comfort Zone (Home) 2019, at VCU Gallery, Doha
Installation view from the exhibition Comfort Zone (Home) 2019, at VCU Gallery, Doha
Installation view from the exhibition Comfort Zone (Home) 2019, at VCU Gallery, Doha
Installation view from the exhibition Comfort Zone (Home) 2019, at VCU Gallery, Doha
Spectral Days, C-print, dimensions variable, 2012.
Spectral Days, C-print, 85 x 60 cm, 2013.
Cats, archival ink print, 65 x 45 cm, 2011.
Flowers, archival ink print, 60 x 45 cm, 2011.
Distort the end and turn it into candy, C-print, framed, 85 x 60 cm, 2012.
Distort the end and turn it into candy, C-print, framed, 85 x 60 cm, 2012.
Distort the end and turn it into candy, C-print, framed, 85 x 60 cm, 2012.
Installation shot from Kadist, Paris, 2012
Installation shot from Kadist, Paris, 2012
Oh, no, no... - The Crystal series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminium, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminium, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminum, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminium, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminium, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminium, 40 x 60 cm and 70 x 100 cm, 2004.
Oh, no, no... - The Crystal Series, Inkjet print on aluminium, 56,7 cm x 84 cm, 2004.