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A World Within a World Within a World Within a Green Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

   
  
 
  
    
  
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   A World Within a World Within a World Within an Orange Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

A World Within a World Within a World Within an Orange Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

   
  
 
  
    
  
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   A Portrait of a Landscape of Short-lived Waves with their Dead Magician Cousin, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

A Portrait of a Landscape of Short-lived Waves with their Dead Magician Cousin, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

   
  
 
  
    
  
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   Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 1)  , 2014, C-print from    a chemically altered negative on metallic paper, 82 x 100 cm

Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 1), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

   
  
 
  
    
  
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   Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 2)  , 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm 

Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 2), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm 

   
  
 
  
    
  
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   The Cautious Passing of Light Through Endless Layers of Forgiveness, 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm 

The Cautious Passing of Light Through Endless Layers of Forgiveness, 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm 

   
  
 
  
    
  
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A Lifetime Spent Digging for Hibernating Gold, 2014, C-print from a chemically altered positive on metallic paper, 34 x 51cm

 Installation shot, Basim Magdy, Measuring the Last Breaths of Time on a Fading Scale, 2014

Installation shot, Basim Magdy, Measuring the Last Breaths of Time on a Fading Scale, 2014

 Installation shot, Basim Magdy, Measuring the Last Breaths of Time on a Fading Scale, 2014

Installation shot, Basim Magdy, Measuring the Last Breaths of Time on a Fading Scale, 2014

 Installation shot, Basim Magdy, Measuring the Last Breaths of Time on a Fading Scale, 2014

Installation shot, Basim Magdy, Measuring the Last Breaths of Time on a Fading Scale, 2014

 Installation shot, Basim Magdy, Measuring the Last Breaths of Time on a Fading Scale, 2014

Installation shot, Basim Magdy, Measuring the Last Breaths of Time on a Fading Scale, 2014

 Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

  Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

 Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.    

Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

 

 Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

 Installation view Sharjah Biennial 11, Sharjah. Image courtesy: Sharjah Art Foundation.

Installation view Sharjah Biennial 11, Sharjah. Image courtesy: Sharjah Art Foundation.

 On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.

On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.

 On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.

On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.

 On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.

On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.

 On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.

On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.

 On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.

On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.

 My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.

My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.

 My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.

My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.

 My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.

My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.

 My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.

My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.

 My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.

My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.

 Installation view Intense Proximity, La Triennale, Palais de Tokyo, Paris, 2012.

Installation view Intense Proximity, La Triennale, Palais de Tokyo, Paris, 2012.

 Installation view Confronting the Monster in a Monster Costume, Centre Culturel Suisse, Paris, 2013. Photo: Marc Domage.

Installation view Confronting the Monster in a Monster Costume, Centre Culturel Suisse, Paris, 2013. Photo: Marc Domage.

 Installation view Confronting the Monster in a Monster Costume, Centre Culturel Suisse, Paris, 2013. Photo: Marc Domage.

Installation view Confronting the Monster in a Monster Costume, Centre Culturel Suisse, Paris, 2013. Photo: Marc Domage.

  First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

 First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

 First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

 A Sign For Remembrance, 2011, engraved aluminum and steel. 125 x 50 x 35 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina

A Sign For Remembrance, 2011, engraved aluminum and steel. 125 x 50 x 35 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina

 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

 Our Prehistoric Fate, 2011, two duraclear prints on vintage Yugoslavian military lightbox displays and clamps. Prints are each 151 x 177 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina. (photo: Vladimir Miladinovic).

Our Prehistoric Fate, 2011, two duraclear prints on vintage Yugoslavian military lightbox displays and clamps. Prints are each 151 x 177 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina. (photo: Vladimir Miladinovic).

 Installation shot, Basim Magdy, Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

Installation shot, Basim Magdy, Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

 Installation shot, Basim Magdy, Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

Installation shot, Basim Magdy, Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

 The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec

The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec

 The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec

The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec

 The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec

The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec

 The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec   

The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec

 

 The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec

The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec

 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.

   
  
 
  
    
  
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	mso-hansi-theme-font:minor-latin;}     And the Sky Outlived All That was too Heavy to Elevate Itself, 2014, C-print from a chemically altered positive on metallic paper, 34 x 51cm    

And the Sky Outlived All That was too Heavy to Elevate Itself, 2014, C-print from a chemically altered positive on metallic paper, 34 x 51cm

 

 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP 

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP 

 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP 

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP 

 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.

   
  
 
  
    
  
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   Big Lousy Liar, 2005,     
  
 
  
     
  
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    Watercolors and marker on paper,     
  
 
  
     
  
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    23 x 32 cm 

Big Lousy Liar, 2005,  Watercolors and marker on paper,  23 x 32 cm 

   
  
 
  
    
  
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   Crippled Rockets, 2005,     
  
 
  
     
  
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    22.5 x 30cm

Crippled Rockets, 2005,  Watercolors and spray paint on paper 22.5 x 30cm

   
  
 
  
    
  
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   Duck Hunting,   2004  ,    
  
 
  
     
  
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    24 x 36 cm

Duck Hunting, 2004 Acrylic and coloring pencil on paper 24 x 36 cm

   
  
 
  
    
  
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   No One Will Ever Know, 2006,     
  
 
  
     
  
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    28 x 37 cm

No One Will Ever Know, 2006,  Spray paint and gouache on paper 28 x 37 cm

   
  
 
  
    
  
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   The Endless Forever, 2005, Spray paint and watercolors on paper,     
  
 
  
     
  
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    32 x 24 cm

The Endless Forever, 2005, Spray paint and watercolors on paper,  32 x 24 cm

   
  
 
  
    
  
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   Untitled, 2006,     
  
 
  
     
  
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    Spray paint, burnt photocopies and collage on paper  ,    
  
 
  
     
  
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    24 x 34 cm

Untitled, 2006,  Spray paint, burnt photocopies and collage on paper 24 x 34 cm

   
  
 
  
    
  
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   A World Within a World Within a World Within a Green Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm
   
  
 
  
    
  
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   A World Within a World Within a World Within an Orange Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm
   
  
 
  
    
  
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   A Portrait of a Landscape of Short-lived Waves with their Dead Magician Cousin, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm
   
  
 
  
    
  
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   Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 1)  , 2014, C-print from    a chemically altered negative on metallic paper, 82 x 100 cm
   
  
 
  
    
  
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   Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 2)  , 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm 
   
  
 
  
    
  
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   The Cautious Passing of Light Through Endless Layers of Forgiveness, 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm 
   
  
 
  
    
  
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   A Lifetime Spent Digging for Hibernating Gold, 2014, C-print from a chemically altered positive on metallic paper, 34 x 51cm
 Installation shot, Basim Magdy, Measuring the Last Breaths of Time on a Fading Scale, 2014
 Installation shot, Basim Magdy, Measuring the Last Breaths of Time on a Fading Scale, 2014
 Installation shot, Basim Magdy, Measuring the Last Breaths of Time on a Fading Scale, 2014
 Installation shot, Basim Magdy, Measuring the Last Breaths of Time on a Fading Scale, 2014
 Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.
  Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.
 Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.    
 Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.
 Installation view Sharjah Biennial 11, Sharjah. Image courtesy: Sharjah Art Foundation.
 On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.
 On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.
 On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.
 On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.
 On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.
 My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.
 My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.
 My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.
 My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.
 My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.
 Installation view Intense Proximity, La Triennale, Palais de Tokyo, Paris, 2012.
 Installation view Confronting the Monster in a Monster Costume, Centre Culturel Suisse, Paris, 2013. Photo: Marc Domage.
 Installation view Confronting the Monster in a Monster Costume, Centre Culturel Suisse, Paris, 2013. Photo: Marc Domage.
  First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.
 First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.
 First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.
 A Sign For Remembrance, 2011, engraved aluminum and steel. 125 x 50 x 35 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina
 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).
 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).
 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).
 Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).
 Our Prehistoric Fate, 2011, two duraclear prints on vintage Yugoslavian military lightbox displays and clamps. Prints are each 151 x 177 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina. (photo: Vladimir Miladinovic).
 Installation shot, Basim Magdy, Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.
 Installation shot, Basim Magdy, Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.
 The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec
 The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec
 The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec
 The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec   
 The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec
 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP
 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.
   
  
 
  
    
  
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 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP 
 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP 
 The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.
   
  
 
  
    
  
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   Big Lousy Liar, 2005,     
  
 
  
     
  
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    Watercolors and marker on paper,     
  
 
  
     
  
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    23 x 32 cm 
   
  
 
  
    
  
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   Crippled Rockets, 2005,     
  
 
  
     
  
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    22.5 x 30cm
   
  
 
  
    
  
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   Duck Hunting,   2004  ,    
  
 
  
     
  
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    Acrylic and coloring pencil on paper  ,    
  
 
  
     
  
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    24 x 36 cm
   
  
 
  
    
  
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   No One Will Ever Know, 2006,     
  
 
  
     
  
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    Spray paint and gouache on paper  ,    
  
 
  
     
  
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    28 x 37 cm
   
  
 
  
    
  
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   The Endless Forever, 2005, Spray paint and watercolors on paper,     
  
 
  
     
  
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    32 x 24 cm
   
  
 
  
    
  
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   Untitled, 2006,     
  
 
  
     
  
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    Spray paint, burnt photocopies and collage on paper  ,    
  
 
  
     
  
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    24 x 34 cm

A World Within a World Within a World Within a Green Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

A World Within a World Within a World Within an Orange Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

A Portrait of a Landscape of Short-lived Waves with their Dead Magician Cousin, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 1), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 2), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm 

The Cautious Passing of Light Through Endless Layers of Forgiveness, 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm 

A Lifetime Spent Digging for Hibernating Gold, 2014, C-print from a chemically altered positive on metallic paper, 34 x 51cm

Installation shot, Basim Magdy, Measuring the Last Breaths of Time on a Fading Scale, 2014

Installation shot, Basim Magdy, Measuring the Last Breaths of Time on a Fading Scale, 2014

Installation shot, Basim Magdy, Measuring the Last Breaths of Time on a Fading Scale, 2014

Installation shot, Basim Magdy, Measuring the Last Breaths of Time on a Fading Scale, 2014

Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

 

Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

Installation view Sharjah Biennial 11, Sharjah. Image courtesy: Sharjah Art Foundation.

On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.

On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.

On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.

On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.

On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.

My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.

My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.

My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.

My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.

My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.

Installation view Intense Proximity, La Triennale, Palais de Tokyo, Paris, 2012.

Installation view Confronting the Monster in a Monster Costume, Centre Culturel Suisse, Paris, 2013. Photo: Marc Domage.

Installation view Confronting the Monster in a Monster Costume, Centre Culturel Suisse, Paris, 2013. Photo: Marc Domage.

First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

A Sign For Remembrance, 2011, engraved aluminum and steel. 125 x 50 x 35 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Our Prehistoric Fate, 2011, two duraclear prints on vintage Yugoslavian military lightbox displays and clamps. Prints are each 151 x 177 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina. (photo: Vladimir Miladinovic).

Installation shot, Basim Magdy, Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

Installation shot, Basim Magdy, Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec

The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec

The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec

The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec

 

The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.

And the Sky Outlived All That was too Heavy to Elevate Itself, 2014, C-print from a chemically altered positive on metallic paper, 34 x 51cm

 

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP 

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP 

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.

Big Lousy Liar, 2005,  Watercolors and marker on paper,  23 x 32 cm 

Crippled Rockets, 2005,  Watercolors and spray paint on paper 22.5 x 30cm

Duck Hunting, 2004 Acrylic and coloring pencil on paper 24 x 36 cm

No One Will Ever Know, 2006,  Spray paint and gouache on paper