Magic Lamp, 2024, Future Generation Art Prize. Porcelain on Marmox board, wood and binding, installation dimensions variable. Photo credits: Ela Bialkowska, OKNO Studio for Pinchuk Art Centre/Future Generation Art Prize 2024.
Magic Lamp, 2024, Future Generation Art Prize. Porcelain on Marmox board, wood and binding, installation dimensions variable. Photo credits: Ela Bialkowska, OKNO Studio for Pinchuk Art Centre/Future Generation Art Prize 2024.
Magic Lamp, 2024, Future Generation Art Prize. Porcelain on Marmox board, wood and binding, installation dimensions variable. Photo credits: Ela Bialkowska, OKNO Studio for Pinchuk Art Centre/Future Generation Art Prize 2024.
Cement, gypsum and steel, 2019, Takhshena Gallery, Goethe, institute, Cairo, dimensions variable. Photo credit: Mina Nageh, Goethe-institut Kairo.
Cement, gypsum and steel, 2019, Takhshena Gallery, Goethe, institute, Cairo, dimensions variable. Photo credit: Mina Nageh, Goethe-institut Kairo.
Future Farms, Basel Social Club, 2023. Photo credit: Gina Folly, courtesy of Basel Social Club.
Future Farms (Organic), 2023, polyester, fibreglass, 2k-paint, acrylic, corn husks, EPAL-pallets, installation dimensions variable. Installation shot, The Six Hundred Seventy-Four Forms And A Dragon, 2023, For, Basel. Photo credit: Gina Folly, courtesy of For.
Future Farms (Organic), 2023, polyester, fibreglass, 2k-paint, acrylic, corn husks, EPAL-pallets, installation dimensions variable. Installation shot, The Six Hundred Seventy-Four Forms And A Dragon, 2023, For, Basel. Photo credit: Gina Folly, courtesy of For.
Future Farms (Organic), 2023, polyester, fibreglass, 2k-paint, acrylic, corn husks, EPAL-pallets, installation dimensions variable. Installation shot, The Six Hundred Seventy-Four Forms And A Dragon, 2023, For, Basel. Photo credit: Gina Folly, courtesy of For.
To Mend Is to Shatter, 2023, installation shot, Gypsum.
To Mend Is to Shatter, 2023, installation shot, Gypsum.
To Mend Is to Shatter, 2023, installation shot, Gypsum.
To Mend Is to Shatter, 2023, installation shot, Gypsum.
A Cup of Tea with Fathy Mahmoud, 2022, published by Esmat.
A Cup of Tea with Fathy Mahmoud, 2022, published by Esmat.
Scaffolding a Familiar Epoch, performative intervention at Stephenson Pharmacy, Downtown Cairo, 2021.
Scaffolding a Familiar Epoch, performative intervention at Stephenson Pharmacy, Downtown Cairo, 2021.
Scaffolding a Familiar Epoch, performative intervention at Stephenson Pharmacy, Downtown Cairo, 2021.
Scaffolding a Familiar Epoch, performative intervention at Stephenson Pharmacy, Downtown Cairo, 2021.
Scaffolding a Familiar Epoch, performative intervention at Stephenson Pharmacy, Downtown Cairo, 2021.
In Need Of Repair, 2018, wax, cement, gypsum and foam, installation dimensions variable. Exhibited in Nothing Vanishes, Everything Transforms at Manial Palace, Cairo, Art D’Egypte.
In Need Of Repair, 2018, wax, cement, gypsum and foam, installation dimensions variable. Exhibited in Nothing Vanishes, Everything Transforms at Manial Palace, Cairo, Art D’Egypte.
Rites of Passage, 2018, cement and wax, installation dimensions variable. Exhibition at Townhouse Gallery, Cairo, curated by William Wells.
Rites of Passage, 2018, cement and wax, installation dimensions variable. Exhibition at Townhouse Gallery, Cairo, curated by William Wells.
Rites of Passage, 2018, cement and wax, dimensions variable.
Rites of Passage, 2018, cement and wax, dimensions variable.
The Fever, 2014, multimedia installation, polyester, fabric, glass, wax, and wood, dimensions variable.
The Fever, 2014, multimedia installation, polyester, fabric, glass, wax, and wood, dimensions variable.
The Fever, 2014, multimedia installation, polyester, fabric, glass, wax, and wood, dimensions variable.
The Fever, 2014, multimedia installation, polyester, fabric, glass, wax, and wood, dimensions variable.