
Installation views from Remnants of a Distant Past, solo show at Pedro Cera, Lisbon
Courtesy of the artist and Pedro Cera

Installation view from Remnants of a Distant Past, solo show at Pedro Cera, Lisbon
Shadows of Empire, 2024, Jacquard-woven tapestry crafted from wool, cotton, and lurex, 150 x 340 cm
Courtesy of the artist and Pedro Cera

Monoliths to come, 2024, engraved Belgium Black stone, 120 × 70 cm (each)

Wells of Memory, 2024, jacquard-woven tapestry crafted from wool, cotton, and lurex, 220 × 150 cm

Installation view from Remnants from a Distant Storm, solo show at Pedro Cera
Laws of Ruins, 2024, 4K film | 14 min
Courtesy of the artist and Pedro Cera

Laws of Ruins, 2024, 4K film | 14 min

Installation view from Art Basel Statements 2024
Laws of Ruins, 2024, 4K film | 14 min
Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.
Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.
Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.
Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.
Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.
Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.
Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.
Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.

Magic Carpet Land, 2020, HD Film, 11 min. 11 sec

Magic Carpet Land, 2020, HD film, 11:11 min.
Installation view: Sharjah Biennial 15, Old Al Dhaid Clinic, 2023. Image courtesy of Sharjah Art Foundation. Photo: Danko Stjepanovic

31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)

Installation view from “Keep Me Posted” group show at Gypsum
31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)

31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)

Installation view from Towner International show at Towner Gallery Eastbourne, UK. Curated by Noelle Collins
31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)
Photo by Rob Hill and courtesy of Towner Gallery Eastbourne

What things may come, 2019, HD Film, 13 min

Installation view from Gamec Museum, Bergamo
What things may come, 2019, HD Film, 13 minutes 30 seconds

History as proposed, 2023, photo montage, Print on Museum Etching paper

History as proposed, 2023, photo montage, Print on Museum Etching paper.
Photo by © Phillipe de Gobert, Photo Courtesy Centre for Fine Arts – Bozar, Brussels

Disappearing Land, Print on Canvas, 2022. Photo courtesy of Middle East Institute Washington D.C

Disappearing Land, Print on Canvas, 2022. Photo courtesy of Middle East Institute Washington D.C

Atlas, 2019, HD Film, 4:30 min

Ode to a desert, 2021, photography print on Canvas, framed in glass, photo courtesy of Art D'Egypte.

Ode to a desert, 2021, photography print on Canvas, framed in glass, photo courtesy of Art D'Egypte.

Atlas series, 2020, 24 thermoformed acrylic sculptures, Neo chrome film, pearlescent paint.
Photo by Kato Ken, courtesy of Organizing Committee for Yokohama Triennale

Atlas series, 2020, 24 thermoformed acrylic sculptures, Neo chrome film, pearlescent paint.
Photo by Kato Ken, courtesy of Organizing Committee for Yokohama Triennale.

Atlas I, 2019, thermo- vacuumed acrylic, 3D prints, Aluminium foil.

























Installation views from Remnants of a Distant Past, solo show at Pedro Cera, Lisbon
Courtesy of the artist and Pedro Cera
Installation view from Remnants of a Distant Past, solo show at Pedro Cera, Lisbon
Shadows of Empire, 2024, Jacquard-woven tapestry crafted from wool, cotton, and lurex, 150 x 340 cm
Courtesy of the artist and Pedro Cera
Monoliths to come, 2024, engraved Belgium Black stone, 120 × 70 cm (each)
Wells of Memory, 2024, jacquard-woven tapestry crafted from wool, cotton, and lurex, 220 × 150 cm
Installation view from Remnants from a Distant Storm, solo show at Pedro Cera
Laws of Ruins, 2024, 4K film | 14 min
Courtesy of the artist and Pedro Cera
Laws of Ruins, 2024, 4K film | 14 min
Installation view from Art Basel Statements 2024
Laws of Ruins, 2024, 4K film | 14 min
Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.
Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.
Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.
Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.
Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.
Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.
Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.
Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.
Magic Carpet Land, 2020, HD Film, 11 min. 11 sec
Magic Carpet Land, 2020, HD film, 11:11 min.
Installation view: Sharjah Biennial 15, Old Al Dhaid Clinic, 2023. Image courtesy of Sharjah Art Foundation. Photo: Danko Stjepanovic
31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)
Installation view from “Keep Me Posted” group show at Gypsum
31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)
31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)
Installation view from Towner International show at Towner Gallery Eastbourne, UK. Curated by Noelle Collins
31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)
Photo by Rob Hill and courtesy of Towner Gallery Eastbourne
What things may come, 2019, HD Film, 13 min
Installation view from Gamec Museum, Bergamo
What things may come, 2019, HD Film, 13 minutes 30 seconds
History as proposed, 2023, photo montage, Print on Museum Etching paper
History as proposed, 2023, photo montage, Print on Museum Etching paper.
Photo by © Phillipe de Gobert, Photo Courtesy Centre for Fine Arts – Bozar, Brussels
Disappearing Land, Print on Canvas, 2022. Photo courtesy of Middle East Institute Washington D.C
Disappearing Land, Print on Canvas, 2022. Photo courtesy of Middle East Institute Washington D.C
Atlas, 2019, HD Film, 4:30 min
Ode to a desert, 2021, photography print on Canvas, framed in glass, photo courtesy of Art D'Egypte.
Ode to a desert, 2021, photography print on Canvas, framed in glass, photo courtesy of Art D'Egypte.
Atlas series, 2020, 24 thermoformed acrylic sculptures, Neo chrome film, pearlescent paint.
Photo by Kato Ken, courtesy of Organizing Committee for Yokohama Triennale
Atlas series, 2020, 24 thermoformed acrylic sculptures, Neo chrome film, pearlescent paint.
Photo by Kato Ken, courtesy of Organizing Committee for Yokohama Triennale.
Atlas I, 2019, thermo- vacuumed acrylic, 3D prints, Aluminium foil.