Installation views from  Remnants of a Distant Past , solo show at Pedro Cera, Lisbon   Courtesy of the artist and Pedro Cera

Installation views from Remnants of a Distant Past, solo show at Pedro Cera, Lisbon

Courtesy of the artist and Pedro Cera

 Installation view from  Remnants of a Distant Past , solo show at Pedro Cera, Lisbon    Shadows of Empire , 2024, Jacquard-woven tapestry crafted from wool, cotton, and lurex, 150 x 340 cm  Courtesy of the artist and Pedro Cera

Installation view from Remnants of a Distant Past, solo show at Pedro Cera, Lisbon 

Shadows of Empire, 2024, Jacquard-woven tapestry crafted from wool, cotton, and lurex, 150 x 340 cm

Courtesy of the artist and Pedro Cera

  Monoliths to come , 2024, engraved Belgium Black stone, 120 × 70 cm (each)

Monoliths to come, 2024, engraved Belgium Black stone, 120 × 70 cm (each)

  Wells of Memory , 2024, jacquard-woven tapestry crafted from wool, cotton, and lurex, 220 × 150 cm

Wells of Memory, 2024, jacquard-woven tapestry crafted from wool, cotton, and lurex, 220 × 150 cm

 Installation view from  Remnants from a Distant Storm,  solo show at Pedro Cera   Laws of Ruins , 2024, 4K film | 14 min  Courtesy of the artist and Pedro Cera

Installation view from Remnants from a Distant Storm, solo show at Pedro Cera

Laws of Ruins, 2024, 4K film | 14 min

Courtesy of the artist and Pedro Cera

  Laws of Ruins , 2024, 4K film | 14 min

Laws of Ruins, 2024, 4K film | 14 min

 Installation view from Art Basel Statements 2024   Laws of Ruins , 2024, 4K film | 14 min

Installation view from Art Basel Statements 2024

Laws of Ruins, 2024, 4K film | 14 min

  Upon the Margins of Dream-Land,  2024, jacquard weaving, 213 x 157 cm.  Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.

Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.

Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.

  Upon the Margins of Dream-Land,  2024, jacquard weaving, 213 x 157 cm.   Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.

Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.

Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.

  Upon the Margins of Dream-Land,  2024, jacquard weaving, 213 x 157 cm.   Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.

Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.

Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.

  Upon the Margins of Dream-Land,  2024, jacquard weaving, 213 x 157 cm.  Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.

Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.

Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.

Magic Carpet Land, 2020, HD Film, 11 min. 11 sec

  Magic Carpet Land , 2020, HD film, 11:11 min.  Installation view: Sharjah Biennial 15, Old Al Dhaid Clinic, 2023. Image courtesy of Sharjah Art Foundation. Photo: Danko Stjepanovic

Magic Carpet Land, 2020, HD film, 11:11 min.

Installation view: Sharjah Biennial 15, Old Al Dhaid Clinic, 2023. Image courtesy of Sharjah Art Foundation. Photo: Danko Stjepanovic

  31 Silent Encounters , 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)

31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)

 Installation view from “Keep Me Posted” group show at Gypsum   31 Silent Encounters , 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)

Installation view from “Keep Me Posted” group show at Gypsum

31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)

  31 Silent Encounters , 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)

31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)

 Installation view from Towner International show at Towner Gallery Eastbourne, UK. Curated by Noelle Collins   31 Silent Encounters , 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)  Photo by Rob Hill and courtesy o

Installation view from Towner International show at Towner Gallery Eastbourne, UK. Curated by Noelle Collins

31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)

Photo by Rob Hill and courtesy of Towner Gallery Eastbourne

What things may come, 2019, HD Film, 13 min

 Installation view from Gamec Museum, Bergamo   What things may come , 2019, HD Film, 13 minutes 30 seconds

Installation view from Gamec Museum, Bergamo

What things may come, 2019, HD Film, 13 minutes 30 seconds

  History as proposed , 2023, photo montage, Print on Museum Etching paper

History as proposed, 2023, photo montage, Print on Museum Etching paper

  History as proposed , 2023, photo montage, Print on Museum Etching paper.   Photo by © Phillipe de Gobert, Photo Courtesy Centre for Fine Arts – Bozar, Brussels

History as proposed, 2023, photo montage, Print on Museum Etching paper.

Photo by © Phillipe de Gobert, Photo Courtesy Centre for Fine Arts – Bozar, Brussels

 Disappearing Land, Print on Canvas, 2022. Photo courtesy of Middle East Institute Washington D.C

Disappearing Land, Print on Canvas, 2022. Photo courtesy of Middle East Institute Washington D.C

 Disappearing Land, Print on Canvas, 2022. Photo courtesy of Middle East Institute Washington D.C

Disappearing Land, Print on Canvas, 2022. Photo courtesy of Middle East Institute Washington D.C

Atlas, 2019, HD Film, 4:30 min

  Ode to a desert,  2021, photography print on Canvas, framed in glass, photo courtesy of Art D'Egypte.

Ode to a desert, 2021, photography print on Canvas, framed in glass, photo courtesy of Art D'Egypte.

  Ode to a desert,  2021, photography print on Canvas, framed in glass, photo courtesy of Art D'Egypte.

Ode to a desert, 2021, photography print on Canvas, framed in glass, photo courtesy of Art D'Egypte.

  Atlas  series, 2020, 24 thermoformed acrylic sculptures, Neo chrome film, pearlescent paint.   Photo by Kato Ken, courtesy of Organizing Committee for Yokohama Triennale

Atlas series, 2020, 24 thermoformed acrylic sculptures, Neo chrome film, pearlescent paint.

Photo by Kato Ken, courtesy of Organizing Committee for Yokohama Triennale

  Atlas  series, 2020, 24 thermoformed acrylic sculptures, Neo chrome film, pearlescent paint.   Photo by Kato Ken, courtesy of Organizing Committee for Yokohama Triennale.

Atlas series, 2020, 24 thermoformed acrylic sculptures, Neo chrome film, pearlescent paint.

Photo by Kato Ken, courtesy of Organizing Committee for Yokohama Triennale.

  Atlas I , 2019, thermo- vacuumed acrylic, 3D prints, Aluminium foil.

Atlas I, 2019, thermo- vacuumed acrylic, 3D prints, Aluminium foil.

 Installation views from  Remnants of a Distant Past , solo show at Pedro Cera, Lisbon   Courtesy of the artist and Pedro Cera
 Installation view from  Remnants of a Distant Past , solo show at Pedro Cera, Lisbon    Shadows of Empire , 2024, Jacquard-woven tapestry crafted from wool, cotton, and lurex, 150 x 340 cm  Courtesy of the artist and Pedro Cera
  Monoliths to come , 2024, engraved Belgium Black stone, 120 × 70 cm (each)
  Wells of Memory , 2024, jacquard-woven tapestry crafted from wool, cotton, and lurex, 220 × 150 cm
 Installation view from  Remnants from a Distant Storm,  solo show at Pedro Cera   Laws of Ruins , 2024, 4K film | 14 min  Courtesy of the artist and Pedro Cera
  Laws of Ruins , 2024, 4K film | 14 min
 Installation view from Art Basel Statements 2024   Laws of Ruins , 2024, 4K film | 14 min
  Upon the Margins of Dream-Land,  2024, jacquard weaving, 213 x 157 cm.  Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.
  Upon the Margins of Dream-Land,  2024, jacquard weaving, 213 x 157 cm.   Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.
  Upon the Margins of Dream-Land,  2024, jacquard weaving, 213 x 157 cm.   Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.
  Upon the Margins of Dream-Land,  2024, jacquard weaving, 213 x 157 cm.  Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.
  Magic Carpet Land , 2020, HD Film, 11 min. 11 sec
  Magic Carpet Land , 2020, HD film, 11:11 min.  Installation view: Sharjah Biennial 15, Old Al Dhaid Clinic, 2023. Image courtesy of Sharjah Art Foundation. Photo: Danko Stjepanovic
  31 Silent Encounters , 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)
 Installation view from “Keep Me Posted” group show at Gypsum   31 Silent Encounters , 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)
  31 Silent Encounters , 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)
 Installation view from Towner International show at Towner Gallery Eastbourne, UK. Curated by Noelle Collins   31 Silent Encounters , 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)  Photo by Rob Hill and courtesy o
  What things may come , 2019, HD Film, 13 min
 Installation view from Gamec Museum, Bergamo   What things may come , 2019, HD Film, 13 minutes 30 seconds
  History as proposed , 2023, photo montage, Print on Museum Etching paper
  History as proposed , 2023, photo montage, Print on Museum Etching paper.   Photo by © Phillipe de Gobert, Photo Courtesy Centre for Fine Arts – Bozar, Brussels
 Disappearing Land, Print on Canvas, 2022. Photo courtesy of Middle East Institute Washington D.C
 Disappearing Land, Print on Canvas, 2022. Photo courtesy of Middle East Institute Washington D.C
  Atlas , 2019, HD Film, 4:30 min
  Ode to a desert,  2021, photography print on Canvas, framed in glass, photo courtesy of Art D'Egypte.
  Ode to a desert,  2021, photography print on Canvas, framed in glass, photo courtesy of Art D'Egypte.
  Atlas  series, 2020, 24 thermoformed acrylic sculptures, Neo chrome film, pearlescent paint.   Photo by Kato Ken, courtesy of Organizing Committee for Yokohama Triennale
  Atlas  series, 2020, 24 thermoformed acrylic sculptures, Neo chrome film, pearlescent paint.   Photo by Kato Ken, courtesy of Organizing Committee for Yokohama Triennale.
  Atlas I , 2019, thermo- vacuumed acrylic, 3D prints, Aluminium foil.

Installation views from Remnants of a Distant Past, solo show at Pedro Cera, Lisbon

Courtesy of the artist and Pedro Cera

Installation view from Remnants of a Distant Past, solo show at Pedro Cera, Lisbon 

Shadows of Empire, 2024, Jacquard-woven tapestry crafted from wool, cotton, and lurex, 150 x 340 cm

Courtesy of the artist and Pedro Cera

Monoliths to come, 2024, engraved Belgium Black stone, 120 × 70 cm (each)

Wells of Memory, 2024, jacquard-woven tapestry crafted from wool, cotton, and lurex, 220 × 150 cm

Installation view from Remnants from a Distant Storm, solo show at Pedro Cera

Laws of Ruins, 2024, 4K film | 14 min

Courtesy of the artist and Pedro Cera

Laws of Ruins, 2024, 4K film | 14 min

Installation view from Art Basel Statements 2024

Laws of Ruins, 2024, 4K film | 14 min

Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.

Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.

Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.

Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.

Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.

Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.

Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.

Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.

Magic Carpet Land, 2020, HD Film, 11 min. 11 sec

Magic Carpet Land, 2020, HD film, 11:11 min.

Installation view: Sharjah Biennial 15, Old Al Dhaid Clinic, 2023. Image courtesy of Sharjah Art Foundation. Photo: Danko Stjepanovic

31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)

Installation view from “Keep Me Posted” group show at Gypsum

31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)

31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)

Installation view from Towner International show at Towner Gallery Eastbourne, UK. Curated by Noelle Collins

31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)

Photo by Rob Hill and courtesy of Towner Gallery Eastbourne

What things may come, 2019, HD Film, 13 min

Installation view from Gamec Museum, Bergamo

What things may come, 2019, HD Film, 13 minutes 30 seconds

History as proposed, 2023, photo montage, Print on Museum Etching paper

History as proposed, 2023, photo montage, Print on Museum Etching paper.

Photo by © Phillipe de Gobert, Photo Courtesy Centre for Fine Arts – Bozar, Brussels

Disappearing Land, Print on Canvas, 2022. Photo courtesy of Middle East Institute Washington D.C

Disappearing Land, Print on Canvas, 2022. Photo courtesy of Middle East Institute Washington D.C

Atlas, 2019, HD Film, 4:30 min

Ode to a desert, 2021, photography print on Canvas, framed in glass, photo courtesy of Art D'Egypte.

Ode to a desert, 2021, photography print on Canvas, framed in glass, photo courtesy of Art D'Egypte.

Atlas series, 2020, 24 thermoformed acrylic sculptures, Neo chrome film, pearlescent paint.

Photo by Kato Ken, courtesy of Organizing Committee for Yokohama Triennale

Atlas series, 2020, 24 thermoformed acrylic sculptures, Neo chrome film, pearlescent paint.

Photo by Kato Ken, courtesy of Organizing Committee for Yokohama Triennale.

Atlas I, 2019, thermo- vacuumed acrylic, 3D prints, Aluminium foil.

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