Bark #5, 2018, Acrylic on canvas, 108 X 160 cm

Bark #5, 2018, Acrylic on canvas, 108 X 160 cm

 Bark #3, 2018, Acrylic on canvas, 108 X 160 cm

Bark #3, 2018, Acrylic on canvas, 108 X 160 cm

 Bark #8, 2018, Acrylic on canvas, 112 X 150 cm

Bark #8, 2018, Acrylic on canvas, 112 X 150 cm

 Bark #4, 2018, Acrylic on canvas, 112 X 150 cm

Bark #4, 2018, Acrylic on canvas, 112 X 150 cm

 Bark #9, 2018, Acrylic on canvas, 112 X 150 cm

Bark #9, 2018, Acrylic on canvas, 112 X 150 cm

 Bark #6, 2018, Acrylic on canvas, 112 X 150 cm

Bark #6, 2018, Acrylic on canvas, 112 X 150 cm

 Bark #7, 2018, Acrylic on canvas, 112 X 150 cm

Bark #7, 2018, Acrylic on canvas, 112 X 150 cm

 Bark #2, 2018, Acrylic on canvas, 108 X 160 cm

Bark #2, 2018, Acrylic on canvas, 108 X 160 cm

 Bark #1, 2018, Acrylic on canvas, 108 X 160 cm

Bark #1, 2018, Acrylic on canvas, 108 X 160 cm

  Renovabitvr 2, 2016, Acrylic on canvas, 150 x 110 cm.

Renovabitvr 2, 2016, Acrylic on canvas, 150 x 110 cm.

  Renovabitvr 1, 2016, Acrylic on canvas, 110 cm x 150 cm.

Renovabitvr 1, 2016, Acrylic on canvas, 110 cm x 150 cm.

  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

  Curse Carriers, 2011  






  
  
   
  
  

  
  
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Curse Carriers, 2011

   
  
 
  
    
  
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 Trayvon #1, 2014, Acrylic on canvas, 115 x 90 cm

 

 

   
  
 
  
    
  
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Trayvon #4, 2014, Acrylic on canvas, 90 x 120 cm

   
  
 
  
    
  
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Trayvon #6, 2014, Acrylic on canvas, 115 x 90 cm

   
  
 
  
    
  
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Trayvon #7, 2014, Acrylic on canvas, 90 x 90 cm

   
  
 
  
    
  
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Trayvon #3, 2014, Acrylic on canvas, 115 x 90 cm

   
  
 
  
    
  
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Trayvon #5, 2014, Acrylic on canvas, 90 x 115 cm

   
  
 
  
    
  
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Trayvon #2, 2014, Acrylic on canvas, 115 x 90 cm

   
  
 
  
    
  
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Trayvon #8, 2014, Acrylic on canvas, 90 x 90 cm

  The
Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings
(10 m each + acrylic colors), audio elements and a projected short 3D animated
film,  2 min. 44 sec. Installation view
at BALTIC Centre for Contemporary Art, G

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film,  2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

  The
Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings
(10 m each + acrylic colors), audio elements and a projected short 3D animated
film,  2 min. 44 sec. Installation view
at BALTIC Centre for Contemporary Art, G

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film,  2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

  The
Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings
(10 m each + acrylic colors), audio elements and a projected short 3D animated
film,  2 min. 44 sec. Installation view
at BALTIC Centre for Contemporary Art, G

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film,  2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

  The
Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings
(10 m each + acrylic colors), audio elements and a projected short 3D animated
film,  2 min. 44 sec. Installation view
at BALTIC Centre for Contemporary Art, G

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film,  2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

  The
Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings
(10 m each + acrylic colors), audio elements and a projected short 3D animated
film,  2 min. 44 sec. Installation view
at BALTIC Centre for Contemporary Art, G

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film,  2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

  The
Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings
(10 m each + acrylic colors), audio elements and a projected short 3D animated
film,  2 min. 44 sec. Installation view
at BALTIC Centre for Contemporary Art, G

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film,  2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

  The
Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings
(10 m each + acrylic colors), audio elements and a projected short 3D animated
film,  2 min. 44 sec. Installation view
at BALTIC Centre for Contemporary Art, G

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film,  2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

  The New World, 2006, acrylic colors. Installation
View, Sfeir Semler gallery, Beirut, Lebanon, 2007  






  
  
   
  
  

  
  
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The New World, 2006, acrylic colors. Installation View, Sfeir Semler gallery, Beirut, Lebanon, 2007

  The New World (Tshirt), 2006  






  
  
   
  
  

  
  
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The New World (Tshirt), 2006

  Helmets, 2005. Installation View, PROGR (Zentrum für Kulturproduktion), Bern,
Switzerland  






  
  
   
  
  

  
  
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Helmets, 2005. Installation View, PROGR (Zentrum für Kulturproduktion), Bern, Switzerland

  Helmets I, 2005, acrylic on canvas, 140 x
100 cm  






  
  
   
  
  

  
  
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Helmets I, 2005, acrylic on canvas, 140 x 100 cm

  Helmets II, 2005, acrylic on canvas, 140
x 100 cm  






  
  
   
  
  

  
  
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Helmets II, 2005, acrylic on canvas, 140 x 100 cm

  Helmets III, 2005, acrylic on
canvas, 140 x 100 cm  






  
  
   
  
  

  
  
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Helmets III, 2005, acrylic on canvas, 140 x 100 cm

  Helmet III Sketch, 2005  






  
  
   
  
  

  
  
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Helmet III Sketch, 2005

  Helmet 4 (Detail), 2005, acrylic on
canvas  






  
  
   
  
  

  
  
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Helmet 4 (Detail), 2005, acrylic on canvas

  Helmet 4 Sketch, 2005, A4  






  
  
   
  
  

  
  
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Helmet 4 Sketch, 2005, A4

  Helmet 5 (Detail), 2005  






  
  
   
  
  

  
  
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Helmet 5 (Detail), 2005

  Helmet 6 (Detail), 2005, acrylic on
canvas  






  
  
   
  
  

  
  
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Helmet 6 (Detail), 2005, acrylic on canvas

  Helmet 5 (Detail), 2005  






  
  
   
  
  

  
  
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Helmet 5 (Detail), 2005

  Untitled (Phoca Oceanid) –The
Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm  






  
  
   
  
  

  
  
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Untitled (Phoca Oceanid) –The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

  Untitled (Taj Elephas) - The
Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm  






  
  
   
  
  

  
  
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Untitled (Taj Elephas) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

  Untitled 1 - The Morphologist & the
Architect, 2004, acrylic on canvas, 90 x 90 cm  






  
  
   
  
  

  
  
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Untitled 1 - The Morphologist & the Architect, 2004, acrylic on canvas, 90 x 90 cm

  Untitled 2 - The Morphologist & the
Architect, 2004, acrylic on canvas, 95  x
74 cm  






  
  
   
  
  

  
  
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Untitled 2 - The Morphologist & the Architect, 2004, acrylic on canvas, 95  x 74 cm

  Untitled (Culicid Minaret) - The
Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm   






  
  
   
  
  

  
  
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Untitled (Culicid Minaret) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm 

  Untitled (Crustacean) - The Morphologist
& the Architect, 2004, acrylic on canvas, 95 x 74 cm   






  
  
   
  
  

  
  
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Untitled (Crustacean) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm 

  Untitled (Queen) - The Morphologist
& the Architect, 2004, acrylic on canvas, 90 x 150 cm   






  
  
   
  
  

  
  
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Untitled (Queen) - The Morphologist & the Architect, 2004, acrylic on canvas, 90 x 150 cm 

  Untitled (Industrial Harem),
2003, Sculpture: wood / PV foam sculpture 199.35 x
249. 88 x 178.64 cm, three paintings, acrylic on canvas, 140 x 100 x 5 cm each. Installation view, Transferts, Palais des
Beaux-Arts, Brussels, Belgium.

Untitled (Industrial Harem), 2003, Sculpture: wood / PV foam sculpture 199.35 x 249. 88 x 178.64 cm, three paintings, acrylic on canvas, 140 x 100 x 5 cm each. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium.

 Untitled (Industrial Harem),
2003. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium 






  
  
   
  
  

  
  
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Untitled (Industrial Harem), 2003. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium

  Untitled, 2002, acrylic colors 15 m x 3.5 m ARCO Project room (Marco noire Contemporary Arts Gallery), Madrid, Spain  






  
  
   
  
  

  
  
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Untitled, 2002, acrylic colors 15 m x 3.5 m ARCO Project room (Marco noire Contemporary Arts Gallery), Madrid, Spain

  Untitled, 2002, acrylic colors, 19 m x 2.75 m (on inner curved
semi-circle wall). Project for Centro de Arte Museo de Almeria, Almerìa, Spain  






  
  
   
  
  

  
  
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Untitled, 2002, acrylic colors, 19 m x 2.75 m (on inner curved semi-circle wall). Project for Centro de Arte Museo de Almeria, Almerìa, Spain

  Untitled, 2002, acrylic on canvas, 80 x
100 cm  






  
  
   
  
  

  
  
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Untitled, 2002, acrylic on canvas, 80 x 100 cm

  Antechamber Compositae A, 2002, acrylic colors (wall paintings)  






  
  
   
  
  

  
  
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Antechamber Compositae A, 2002, acrylic colors (wall paintings)

  Antechamber Compositae B,
2002, acrylic colors (wall paintings)  






  
  
   
  
  

  
  
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Antechamber Compositae B, 2002, acrylic colors (wall paintings)

  Untitled (Wall Painting 1), 2001, acrylic colors, 804 x
337 cm. Project for the Institute of
Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA  






  
  
   
  
  

  
  
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Untitled (Wall Painting 1), 2001, acrylic colors, 804 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA

  Untitled (Wall Painting 2), 2001,
acrylic colors, 960 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA  






  
  
   
  
  

  
  
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Untitled (Wall Painting 2), 2001, acrylic colors, 960 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA

  Untitled (Wall Painting 3), 2001,
acrylic colors. Project for the Institute
of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA  






  
  
   
  
  

  
  
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Untitled (Wall Painting 3), 2001, acrylic colors. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA

  Reconfigured Monuments, 2001, sculpture:
painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x
110 cm. Installation view , Marco Noire Contemporary Arts Gallery, Turin,
Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Tu

Reconfigured Monuments, 2001, sculpture: painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x 110 cm. Installation view , Marco Noire Contemporary Arts Gallery, Turin, Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Turin, Italy

  Reconfigured Monuments, 2001, sculpture:
painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x
110 cm. Installation view, Marco Noire Contemporary Arts Gallery, Turin, Italy,
2002. Courtesy: The Modern Art Gallery (GAM), Tur

Reconfigured Monuments, 2001, sculpture: painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x 110 cm. Installation view, Marco Noire Contemporary Arts Gallery, Turin, Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Turin, Italy

  Untitled -1 (Reconfigured Monuments),
2001, acrylic on canvas, 140 x 110 cm   






  
  
   
  
  

  
  
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Untitled -1 (Reconfigured Monuments), 2001, acrylic on canvas, 140 x 110 cm 

  Untitled -2 (Reconfigured Monuments),
2001, acrylic on canvas, 140 x 110 cm   






  
  
   
  
  

  
  
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   JA 
   X-NONE 
   
    
    
    
    
    
    
    
 

Untitled -2 (Reconfigured Monuments), 2001, acrylic on canvas, 140 x 110 cm 

  Castle (Heritage of the Past 1), 2000, painted
wood, 116 x 66 x 225 cm. Installation view, La Cabaña, Havana, Cuba  






  
  
   
  
  

  
  
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Castle (Heritage of the Past 1), 2000, painted wood, 116 x 66 x 225 cm. Installation view, La Cabaña, Havana, Cuba

  Burial Chamber II, (Heritage of the Past
2), 2000, painted wood,117 x 64 x 180 cm. Installation view, La Cabaña, Havana,
Cuba. Courtesy: Museum of Modern Art, Havana, Cuba  






  
  
   
  
  

  
  
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Burial Chamber II, (Heritage of the Past 2), 2000, painted wood,117 x 64 x 180 cm. Installation view, La Cabaña, Havana, Cuba. Courtesy: Museum of Modern Art, Havana, Cuba

  Untitled (Esperance), 2001, acrylic on
canvas, 100 x 80 cm  






  
  
   
  
  

  
  
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Untitled (Esperance), 2001, acrylic on canvas, 100 x 80 cm

  Untitled (Lighthouse), 2001, acrylic on
canvas, 100 x 80 cm  






  
  
   
  
  

  
  
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Untitled (Lighthouse), 2001, acrylic on canvas, 100 x 80 cm

  Untitled, 2001, acrylic on canvas, 27 x 42cm  






  
  
   
  
  

  
  
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Untitled, 2001, acrylic on canvas, 27 x 42cm

  Untitled (sun), 2000, acrylic on canvas,
60 x 195 cm  






  
  
   
  
  

  
  
   Normal 
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Untitled (sun), 2000, acrylic on canvas, 60 x 195 cm

  Untitled, 1998, acrylic on canvas, 105 x
95 cm  






  
  
   
  
  

  
  
   Normal 
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Untitled, 1998, acrylic on canvas, 105 x 95 cm

  Burial Chamber I, 1998, sculpture:
painted wood, 200 x 122 x 122 cm and painting: Chamber, 1998, acrylic on
canvas,140 x 100 cm. Installation view. Courtesy: La Gaia Collection, Italy  






  
  
   
  
  

  
  
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Burial Chamber I, 1998, sculpture: painted wood, 200 x 122 x 122 cm and painting: Chamber, 1998, acrylic on canvas,140 x 100 cm. Installation view. Courtesy: La Gaia Collection, Italy

  Untitled, 1996, polished plywood,     245 x 140 x 240 cm. Installation view.
General Greek Consulate, Alexandria, Egypt  






  
  
   
  
  

  
  
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Untitled, 1996, polished plywood, 245 x 140 x 240 cm. Installation view. General Greek Consulate, Alexandria, Egypt

  The Castle, 1996, natural polished wood,
120 x 80 x 225 cm. Installation view. Düsseldorf fine arts Academy, Düsseldorf,
Germany  






  
  
   
  
  

  
  
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The Castle, 1996, natural polished wood, 120 x 80 x 225 cm. Installation view. Düsseldorf fine arts Academy, Düsseldorf, Germany

 “TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014

“TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014

 “TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014. (Installation view)

“TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014. (Installation view)

 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017.

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017.

 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)

 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)

 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017  

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017
 

 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017

 Bark #5, 2018, Acrylic on canvas, 108 X 160 cm
 Bark #3, 2018, Acrylic on canvas, 108 X 160 cm
 Bark #8, 2018, Acrylic on canvas, 112 X 150 cm
 Bark #4, 2018, Acrylic on canvas, 112 X 150 cm
 Bark #9, 2018, Acrylic on canvas, 112 X 150 cm
 Bark #6, 2018, Acrylic on canvas, 112 X 150 cm
 Bark #7, 2018, Acrylic on canvas, 112 X 150 cm
 Bark #2, 2018, Acrylic on canvas, 108 X 160 cm
 Bark #1, 2018, Acrylic on canvas, 108 X 160 cm
  Renovabitvr 2, 2016, Acrylic on canvas, 150 x 110 cm.
  Renovabitvr 1, 2016, Acrylic on canvas, 110 cm x 150 cm.
  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.
  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.
  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.
  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.
  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.
  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.
  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.
  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.
  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.
  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.
  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.
  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.
  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.
  Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit:   Elzbieta Bialkowska.
  Curse Carriers, 2011  






  
  
   
  
  

  
  
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  The
Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings
(10 m each + acrylic colors), audio elements and a projected short 3D animated
film,  2 min. 44 sec. Installation view
at BALTIC Centre for Contemporary Art, G
  The
Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings
(10 m each + acrylic colors), audio elements and a projected short 3D animated
film,  2 min. 44 sec. Installation view
at BALTIC Centre for Contemporary Art, G
  The
Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings
(10 m each + acrylic colors), audio elements and a projected short 3D animated
film,  2 min. 44 sec. Installation view
at BALTIC Centre for Contemporary Art, G
  The
Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings
(10 m each + acrylic colors), audio elements and a projected short 3D animated
film,  2 min. 44 sec. Installation view
at BALTIC Centre for Contemporary Art, G
  The
Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings
(10 m each + acrylic colors), audio elements and a projected short 3D animated
film,  2 min. 44 sec. Installation view
at BALTIC Centre for Contemporary Art, G
  The
Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings
(10 m each + acrylic colors), audio elements and a projected short 3D animated
film,  2 min. 44 sec. Installation view
at BALTIC Centre for Contemporary Art, G
  The
Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings
(10 m each + acrylic colors), audio elements and a projected short 3D animated
film,  2 min. 44 sec. Installation view
at BALTIC Centre for Contemporary Art, G
  The New World, 2006, acrylic colors. Installation
View, Sfeir Semler gallery, Beirut, Lebanon, 2007  






  
  
   
  
  

  
  
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  The New World (Tshirt), 2006  






  
  
   
  
  

  
  
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  Helmets, 2005. Installation View, PROGR (Zentrum für Kulturproduktion), Bern,
Switzerland  






  
  
   
  
  

  
  
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  Helmets I, 2005, acrylic on canvas, 140 x
100 cm  






  
  
   
  
  

  
  
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  Helmets II, 2005, acrylic on canvas, 140
x 100 cm  






  
  
   
  
  

  
  
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  Helmets III, 2005, acrylic on
canvas, 140 x 100 cm  






  
  
   
  
  

  
  
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  Helmet III Sketch, 2005  






  
  
   
  
  

  
  
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  Helmet 4 (Detail), 2005, acrylic on
canvas  






  
  
   
  
  

  
  
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  Helmet 4 Sketch, 2005, A4  






  
  
   
  
  

  
  
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  Helmet 5 (Detail), 2005  






  
  
   
  
  

  
  
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  Helmet 6 (Detail), 2005, acrylic on
canvas  






  
  
   
  
  

  
  
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  Helmet 5 (Detail), 2005  






  
  
   
  
  

  
  
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  Untitled (Phoca Oceanid) –The
Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm  






  
  
   
  
  

  
  
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  Untitled (Taj Elephas) - The
Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm  






  
  
   
  
  

  
  
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  Untitled 1 - The Morphologist & the
Architect, 2004, acrylic on canvas, 90 x 90 cm  






  
  
   
  
  

  
  
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  Untitled 2 - The Morphologist & the
Architect, 2004, acrylic on canvas, 95  x
74 cm  






  
  
   
  
  

  
  
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  Untitled (Culicid Minaret) - The
Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm   






  
  
   
  
  

  
  
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  Untitled (Crustacean) - The Morphologist
& the Architect, 2004, acrylic on canvas, 95 x 74 cm   






  
  
   
  
  

  
  
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  Untitled (Queen) - The Morphologist
& the Architect, 2004, acrylic on canvas, 90 x 150 cm   






  
  
   
  
  

  
  
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  Untitled (Industrial Harem),
2003, Sculpture: wood / PV foam sculpture 199.35 x
249. 88 x 178.64 cm, three paintings, acrylic on canvas, 140 x 100 x 5 cm each. Installation view, Transferts, Palais des
Beaux-Arts, Brussels, Belgium.
 Untitled (Industrial Harem),
2003. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium 






  
  
   
  
  

  
  
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  Untitled, 2002, acrylic colors 15 m x 3.5 m ARCO Project room (Marco noire Contemporary Arts Gallery), Madrid, Spain  






  
  
   
  
  

  
  
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  Untitled, 2002, acrylic colors, 19 m x 2.75 m (on inner curved
semi-circle wall). Project for Centro de Arte Museo de Almeria, Almerìa, Spain  






  
  
   
  
  

  
  
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  Untitled, 2002, acrylic on canvas, 80 x
100 cm  






  
  
   
  
  

  
  
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  Antechamber Compositae A, 2002, acrylic colors (wall paintings)  






  
  
   
  
  

  
  
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  Antechamber Compositae B,
2002, acrylic colors (wall paintings)  






  
  
   
  
  

  
  
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  Untitled (Wall Painting 1), 2001, acrylic colors, 804 x
337 cm. Project for the Institute of
Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA  






  
  
   
  
  

  
  
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  Untitled (Wall Painting 2), 2001,
acrylic colors, 960 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA  






  
  
   
  
  

  
  
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  Untitled (Wall Painting 3), 2001,
acrylic colors. Project for the Institute
of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA  






  
  
   
  
  

  
  
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  Reconfigured Monuments, 2001, sculpture:
painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x
110 cm. Installation view , Marco Noire Contemporary Arts Gallery, Turin,
Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Tu
  Reconfigured Monuments, 2001, sculpture:
painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x
110 cm. Installation view, Marco Noire Contemporary Arts Gallery, Turin, Italy,
2002. Courtesy: The Modern Art Gallery (GAM), Tur
  Untitled -1 (Reconfigured Monuments),
2001, acrylic on canvas, 140 x 110 cm   






  
  
   
  
  

  
  
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  Untitled -2 (Reconfigured Monuments),
2001, acrylic on canvas, 140 x 110 cm   






  
  
   
  
  

  
  
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  Castle (Heritage of the Past 1), 2000, painted
wood, 116 x 66 x 225 cm. Installation view, La Cabaña, Havana, Cuba  






  
  
   
  
  

  
  
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  Burial Chamber II, (Heritage of the Past
2), 2000, painted wood,117 x 64 x 180 cm. Installation view, La Cabaña, Havana,
Cuba. Courtesy: Museum of Modern Art, Havana, Cuba  






  
  
   
  
  

  
  
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   false 
 
  Untitled (Esperance), 2001, acrylic on
canvas, 100 x 80 cm  






  
  
   
  
  

  
  
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   false 
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   X-NONE 
   
    
    
    
    
    
    
    
    
    
    
   
   
 
  Untitled (Lighthouse), 2001, acrylic on
canvas, 100 x 80 cm  






  
  
   
  
  

  
  
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  Untitled, 2001, acrylic on canvas, 27 x 42cm  






  
  
   
  
  

  
  
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   X-NONE 
   
    
    
    
    
    
    
    
    
    
    
   
   
    
    
 
  Untitled (sun), 2000, acrylic on canvas,
60 x 195 cm  






  
  
   
  
  

  
  
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   0 
   
   
   
   
   false 
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   X-NONE 
   
    
    
    
    
    
    
    
    
    
    
   
   
    
 
  Untitled, 1998, acrylic on canvas, 105 x
95 cm  






  
  
   
  
  

  
  
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   0 
   
   
   
   
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   false 
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  Burial Chamber I, 1998, sculpture:
painted wood, 200 x 122 x 122 cm and painting: Chamber, 1998, acrylic on
canvas,140 x 100 cm. Installation view. Courtesy: La Gaia Collection, Italy  






  
  
   
  
  

  
  
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  Untitled, 1996, polished plywood,     245 x 140 x 240 cm. Installation view.
General Greek Consulate, Alexandria, Egypt  






  
  
   
  
  

  
  
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  The Castle, 1996, natural polished wood,
120 x 80 x 225 cm. Installation view. Düsseldorf fine arts Academy, Düsseldorf,
Germany  






  
  
   
  
  

  
  
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   X
 “TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014
 “TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014. (Installation view)
 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017.
 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)
 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)
 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017  
 “RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017

Bark #5, 2018, Acrylic on canvas, 108 X 160 cm

Bark #3, 2018, Acrylic on canvas, 108 X 160 cm

Bark #8, 2018, Acrylic on canvas, 112 X 150 cm

Bark #4, 2018, Acrylic on canvas, 112 X 150 cm

Bark #9, 2018, Acrylic on canvas, 112 X 150 cm

Bark #6, 2018, Acrylic on canvas, 112 X 150 cm

Bark #7, 2018, Acrylic on canvas, 112 X 150 cm

Bark #2, 2018, Acrylic on canvas, 108 X 160 cm

Bark #1, 2018, Acrylic on canvas, 108 X 160 cm

Renovabitvr 2, 2016, Acrylic on canvas, 150 x 110 cm.

Renovabitvr 1, 2016, Acrylic on canvas, 110 cm x 150 cm.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Mona Marzouk, Renovabitvr, acrylic colors, 2015. Installation view at Villa Romana. Photo credit: Elzbieta Bialkowska.

Curse Carriers, 2011

 Trayvon #1, 2014, Acrylic on canvas, 115 x 90 cm

 

 

Trayvon #4, 2014, Acrylic on canvas, 90 x 120 cm

Trayvon #6, 2014, Acrylic on canvas, 115 x 90 cm

Trayvon #7, 2014, Acrylic on canvas, 90 x 90 cm

Trayvon #3, 2014, Acrylic on canvas, 115 x 90 cm

Trayvon #5, 2014, Acrylic on canvas, 90 x 115 cm

Trayvon #2, 2014, Acrylic on canvas, 115 x 90 cm

Trayvon #8, 2014, Acrylic on canvas, 90 x 90 cm

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film,  2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film,  2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film,  2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film,  2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film,  2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film,  2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The Bride Stripped Bare by Her Energy's' Evil, 2006, two large scale wall paintings (10 m each + acrylic colors), audio elements and a projected short 3D animated film,  2 min. 44 sec. Installation view at BALTIC Centre for Contemporary Art, Gateshead, UK. Credits: Image by Colin Davison

The New World, 2006, acrylic colors. Installation View, Sfeir Semler gallery, Beirut, Lebanon, 2007

The New World (Tshirt), 2006

Helmets, 2005. Installation View, PROGR (Zentrum für Kulturproduktion), Bern, Switzerland

Helmets I, 2005, acrylic on canvas, 140 x 100 cm

Helmets II, 2005, acrylic on canvas, 140 x 100 cm

Helmets III, 2005, acrylic on canvas, 140 x 100 cm

Helmet III Sketch, 2005

Helmet 4 (Detail), 2005, acrylic on canvas

Helmet 4 Sketch, 2005, A4

Helmet 5 (Detail), 2005

Helmet 6 (Detail), 2005, acrylic on canvas

Helmet 5 (Detail), 2005

Untitled (Phoca Oceanid) –The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

Untitled (Taj Elephas) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm

Untitled 1 - The Morphologist & the Architect, 2004, acrylic on canvas, 90 x 90 cm

Untitled 2 - The Morphologist & the Architect, 2004, acrylic on canvas, 95  x 74 cm

Untitled (Culicid Minaret) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm 

Untitled (Crustacean) - The Morphologist & the Architect, 2004, acrylic on canvas, 95 x 74 cm 

Untitled (Queen) - The Morphologist & the Architect, 2004, acrylic on canvas, 90 x 150 cm 

Untitled (Industrial Harem), 2003, Sculpture: wood / PV foam sculpture 199.35 x 249. 88 x 178.64 cm, three paintings, acrylic on canvas, 140 x 100 x 5 cm each. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium.

Untitled (Industrial Harem), 2003. Installation view, Transferts, Palais des Beaux-Arts, Brussels, Belgium

Untitled, 2002, acrylic colors 15 m x 3.5 m ARCO Project room (Marco noire Contemporary Arts Gallery), Madrid, Spain

Untitled, 2002, acrylic colors, 19 m x 2.75 m (on inner curved semi-circle wall). Project for Centro de Arte Museo de Almeria, Almerìa, Spain

Untitled, 2002, acrylic on canvas, 80 x 100 cm

Antechamber Compositae A, 2002, acrylic colors (wall paintings)

Antechamber Compositae B, 2002, acrylic colors (wall paintings)

Untitled (Wall Painting 1), 2001, acrylic colors, 804 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA

Untitled (Wall Painting 2), 2001, acrylic colors, 960 x 337 cm. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA

Untitled (Wall Painting 3), 2001, acrylic colors. Project for the Institute of Visual Arts (INOVA), University of Wisconsin-Milwaukee, USA

Reconfigured Monuments, 2001, sculpture: painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x 110 cm. Installation view , Marco Noire Contemporary Arts Gallery, Turin, Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Turin, Italy

Reconfigured Monuments, 2001, sculpture: painted wood, 210 x 150 x 270 cm and three paintings: acrylic on canvas,140 x 110 cm. Installation view, Marco Noire Contemporary Arts Gallery, Turin, Italy, 2002. Courtesy: The Modern Art Gallery (GAM), Turin, Italy

Untitled -1 (Reconfigured Monuments), 2001, acrylic on canvas, 140 x 110 cm 

Untitled -2 (Reconfigured Monuments), 2001, acrylic on canvas, 140 x 110 cm 

Castle (Heritage of the Past 1), 2000, painted wood, 116 x 66 x 225 cm. Installation view, La Cabaña, Havana, Cuba

Burial Chamber II, (Heritage of the Past 2), 2000, painted wood,117 x 64 x 180 cm. Installation view, La Cabaña, Havana, Cuba. Courtesy: Museum of Modern Art, Havana, Cuba

Untitled (Esperance), 2001, acrylic on canvas, 100 x 80 cm

Untitled (Lighthouse), 2001, acrylic on canvas, 100 x 80 cm

Untitled, 2001, acrylic on canvas, 27 x 42cm

Untitled (sun), 2000, acrylic on canvas, 60 x 195 cm

Untitled, 1998, acrylic on canvas, 105 x 95 cm

Burial Chamber I, 1998, sculpture: painted wood, 200 x 122 x 122 cm and painting: Chamber, 1998, acrylic on canvas,140 x 100 cm. Installation view. Courtesy: La Gaia Collection, Italy

Untitled, 1996, polished plywood, 245 x 140 x 240 cm. Installation view. General Greek Consulate, Alexandria, Egypt

The Castle, 1996, natural polished wood, 120 x 80 x 225 cm. Installation view. Düsseldorf fine arts Academy, Düsseldorf, Germany

“TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014

“TRAYVON”, EVA International – Ireland’s Biennial, Limerick, 2014. (Installation view)

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017.

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017. (Installation view)

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017
 

“RENEWAL”, “Terra Mediterranea in Action”, NiMAC, Nicosia, Cyprus, 2017

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