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A World Within a World Within a World Within a Green Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

A World Within a World Within a World Within an Orange Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

A Portrait of a Landscape of Short-lived Waves with their Dead Magician Cousin, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm

Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 1), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 2), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

The Cautious Passing of Light Through Endless Layers of Forgiveness, 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm

A Lifetime Spent Digging for Hibernating Gold, 2014, C-print from a chemically altered positive on metallic paper, 34 x 51cm

Installation shot, Basim Magdy, Measuring the Last Breaths of Time on a Fading Scale, 2014

Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

Installation view Sharjah Biennial 11, Sharjah. Image courtesy: Sharjah Art Foundation.

On The Good Earth, 2011, Super 8, Double Super 8 and iPhone videos transferred to HD video. 4 min. 37 sec.

My Father Looks For An Honest City, 2010, Super 8 film transferred to HD video. 5 min. 28 sec.

Installation view Intense Proximity, La Triennale, Palais de Tokyo, Paris, 2012.

Installation view Confronting the Monster in a Monster Costume, Centre Culturel Suisse, Paris, 2013. Photo: Marc Domage.

First Day of Mischief Training (no. 2), 2006, C-Print, 40 x 50 cm.

A Sign For Remembrance, 2011, engraved aluminum and steel. 125 x 50 x 35 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina

Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).

Our Prehistoric Fate, 2011, two duraclear prints on vintage Yugoslavian military lightbox displays and clamps. Prints are each 151 x 177 cm. Installation view 1st Time Machine Biennale of Contemporary Art. D-O ARK Underground, Konjic, Bosnia and Herzegovina. (photo: Vladimir Miladinovic).

Installation shot, Basim Magdy, Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec.

The Everyday Ritual of Solitude Hatching Monkey, 2014, Super 16 mm film transferred to Full HD, 13 min 22 sec

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.

And the Sky Outlived All That was too Heavy to Elevate Itself, 2014, C-print from a chemically altered positive on metallic paper, 34 x 51cm

The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP

Big Lousy Liar, 2005, Watercolors and marker on paper, 23 x 32 cm

Crippled Rockets, 2005, Watercolors and spray paint on paper. 22.5 x 30cm

Duck Hunting, 2004, Acrylic and coloring pencil on paper, 24 x 36 cm

No One Will Ever Know, 2006, Spray paint and gouache on paper, 28 x 37 cm

The Endless Forever, 2005, Spray paint and watercolors on paper, 32 x 24 cm

Untitled, 2006, Spray paint, burnt photocopies and collage on paper, 24 x 34 cm